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This document contributes to the study of reconciliation of Indigenous – Settler community conflicts in Canada (aka Turtle Island) through an understanding of: how the Six Nations and residents of Caledonia have made, and continue to make, and counter-activists on the general populace–both members of the Six Nations and residents of Caledonia; the degree of healing that has taken place over time between the Six Nations and residents of Caledonia.

Publicado originalmente em 1983, Tornar-se negro foi pioneiro ao conectar a psicanálise com a questão racial. De forma inovadora e potente, a psiquiatra e psicanalista Neusa Santos Souza dedicou um estudo acadêmico à vida emocional de negros e negras, justificado pela absoluta ausência de um discurso nesse nível elaborado pelo negro acerca de si mesmo. Partindo da própria experiência de ser negra numa sociedade de hegemonia branca, Neusa analisa uma série de depoimentos dados a ela, assinalando neles as consequências brutais do racismo.

Nobody knows what to do about queer Mormons. The institutional Church of Jesus Christ of Latter-day Saints prefers to pretend they don’t exist, that they can choose their way out of who they are, leave, or at least stay quiet in a community that has no place for them. Even queer Mormons don’t know what to do about queer Mormons. Their lived experience is shrouded by a doctrine in which heteronormative marriage is non-negotiable and gender is unchangeable.

Written by Wahpetunwan Dakota scholar and activist Waziyatawin of Pezihutazizi Otunwe, What Does Justice Look Like? offers an opportunity now and for future generations to learn the long-untold history and what it has meant for the Dakota People. On that basis, the book offers the further opportunity to explore what we can do between us as Peoples to reverse the patterns of genocide and oppression and instead to do justice with a depth of good faith, commitment, and action that would be genuinely new for Native and non-Native relations.

There is more to identity than identifying with one's culture or standing solidly against it. José Esteban Muñoz looks at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process "disidentification," and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.

Love addiction for lesbians comes in many forms. Some struggle by sexually acting out and others are serial relationship junkies, jumping from one relationship into the next. Some are addicted to the high of falling in love and once that wears off don't know how to handle the day-to-day realities of a committed relationship. Some are even addicted to fantasy and intrigue, while others are love avoidants and sexual anorexics. Love avoidants may be able to get into a relationship but once they are fully committed, struggle with feeling smothered.

Alo Johnston has been where you are. From watching every transition story on YouTube and navigating online message boards for answers to finally starting testosterone and transitioning himself, he now walks alongside you every step of the way to guide you towards acceptance of who you truly are. Born out of thousands of hours of research and conversations with hundreds of trans people, Am I Trans Enough? digs deep into internalized transphobia and the historical narratives that fuel it. It unveils what happens after you come out, or begin questioning living as a trans person.

Through the lens of Sammy Davis Jr.'s six-decade career in show business—from vaudeville to Vegas to Broadway, Hollywood, and network TV—Dancing Down the Barricades examines the workings of race in American culture. The title phrase holds two contradictory meanings regarding Davis's cultural politics: Did he dance the barricades down, as he liked to think, or did he simply dance down them, as his more radical critics would have it?

In Ta-Nehisi Coates's keenly anticipated new book, The Message, he explores the urgent question of how our stories – our reporting, imaginative narratives and mythmaking – both expose and distort our realities. Travelling to three resonant sites of conflict, he illuminates how the stories we tell – as well as the ones we don’t – work to shape us.

Rising to accept a prestigious award, Jody Lulich wondered what to say. Describe how caring for helpless, voiceless animals in his own shame and pain provided a lifeline, a chance to heal himself as well? Lulich tells his story in In the Company of Grace, a memoir about finding courage in compassion and strength in healing-and power in finally confronting the darkness of his youth.