A Light in the Dark
A History of Movie Directors
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30%OFFで購入できます。
-
ナレーター:
-
David Thomson
-
著者:
-
David Thomson
このコンテンツについて
From the celebrated film critic and author of The Biographical Dictionary of Film - an essential work on the preeminent, indispensable movie directors and the ways in which their work has forged, and continues to forge, the landscape of modern film.
Directors operate behind the scenes managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions onscreen that it is easy to forget the individual who is off-screen orchestrating the entire production - to say nothing of their having marshaled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction.
With his customary candor about his own delights and disappointments, Thomson analyzes both landmark works and forgotten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir, and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee, and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or her work. He explores the male directors' dominance of the past and describes how diversity can change the landscape. Judicious, vivid, and witty, A Light in the Dark is yet another required Thomson text for every movie lover's audiobook shelf.
©2021 David Thomson (P)2021 Random House Audio批評家のレビュー
“[A Light in the Dark] is highly personal, unapologetically opinionated, intermittently whimsical, charmingly idiosyncratic and above all deeply impassioned. It reads, at times, like a love letter to the art that has moved Thomson most. Or a eulogy dedicated to a tradition, and indeed a world, he fears may be on the verge of disappearing.” (Troy Jollimore, The Washington Post)
“Thomson’s own genius is his ability to remain one of the leading authorities on cinematic history, without shying away from the controversial. Cinephiles seeking provocative arguments will appreciate his work.” (Lisa Henry, Library Journal)
“Compulsive reading: thoughtful and thought-provoking in equal measure. David Thomson's knowledge is comprehensive and his response to all films humane and entirely uncorrupted by the conventional hagiography of so much writing about film. He’s engagingly unafraid of challenging received opinion.” (Richard Eyre, director)