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A Sunny Place for Shady People
- Stories
- ナレーター: Lee Osorio, Annette Amelia Oliveira, Sol Madariaga, Maria Liatis
- 再生時間: 8 時間 38 分
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あらすじ・解説
A diabolical collection of stories featuring achingly human characters whose lives intertwine with ghosts, goblins, and the macabre, by “Buenos Aires’s sorceress of horror” (Samanta Schweblin, The New York Times)
“Entertaining, political and exquisitely gruesome, these stories summon terror against the backdrop of everyday horrors. . . . A queen of horror delivers more delightfully twisted stories.”—Los Angeles Times
“As vivid and essential as Kafka’s tales.”—Minneapolis Star-Tribune
LONGLISTED FOR THE ANDREW CARNEGIE MEDAL FOR EXCELLENCE IN FICTION • A PUBLISHERS WEEKLY BEST BOOK OF THE YEAR
On the shores of this river, all the birds that fly, drink, perch on branches, and disturb siestas with the demonic squawking of the possessed—all those birds were once women.
Welcome to Argentina and the fascinating, frightening, fantastical imagination of Mariana Enriquez. In twelve spellbinding new stories, Enriquez writes about ordinary people, especially women, whose lives turn inside out when they encounter terror, the surreal, and the supernatural. A neighborhood nuisanced by ghosts, a family whose faces melt away, a faded hotel haunted by a girl who dissolved in the water tank on the roof, a riverbank populated by birds that used to be women—these and other tales illuminate the shadows of contemporary life, where the line between good and evil no longer exists.
Lyrical and hypnotic, heart-stopping and deeply moving, Enriquez’s stories never fail to enthrall, entertain, and leave us shaken. Translated by the award-winning Megan McDowell, A Sunny Place for Shady People showcases Enriquez’s unique blend of the literary and the horrific, and underscores why Kazuo Ishiguro, winner of the Nobel Prize for Literature, calls her “the most exciting discovery I’ve made in fiction for some time.”
批評家のレビュー
“Horror that illuminates humanity’s true monsters . . . Enriquez indicts our worst offensives in twelve haunting new stories.”—The New York Times Book Review
“[A] goddess of grotesque tales.”—The Guardian
“One hell of a read . . . The collection is poignant, seething, and hypnotic—taking the reader down a dark corridor—with seductive prose luring us to the end of a pitch-black hallway with no escape. . . . Megan McDowell’s translation hits such elevated emotional registers that the prose sings on the page.”—Pittsburgh Post-Gazette