Audible会員プラン登録で、20万以上の対象タイトルが聴き放題。
-
A User's Guide to the Millennium
- ナレーター： Sean Barrett
- 再生時間： 9 時間 57 分
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30％OFFで購入できます。
A User's Guide to the Millennium
あらすじ・解説
A collection of the author's articles and reviews, giving an insight into some of the most important literary, artistic, and scientific movements and events of the last 30 years.
J. G. Ballard was born in 1930 in Shanghai, where his father was a businessman. After internment in a civilian prison camp, he and his family returned to England in 1946. He published his first novel, The Drowned World, in 1961. His 1984 best seller Empire of the Sun won the Guardian Fiction Prize and the James Tait Black Memorial Prize, and was shortlisted for the Booker Prize. It was later filmed by Steven Spielberg. His memoir Miracles of Life was published in 2008. J.G. Ballard died in 2009.
批評家のレビュー
“Ballard’s prescience about technological development seems mostrously acute. Like H. G. Wells talking to an audience of the 1900s, he gives an impression not only knowing what the future will be like, but of actually relishing its arrival. As well as the prescience and the clear autobiographer’s eye, we should also value J. G. Ballard for his sense of humour” (D J. Taylor, Independent)
“In a shrinking world increasingly bereft of original imaginations, J. G. Ballard stands alone, a bizarre visionary maverick. Cinema, surrealist painting, crime, the future, madness, sf and China - these a Ballard’s specialist subjects. Best of all in this eccentric, relaxed, always readable collection are his laconic wartime memories, the treasure house he kept locked for forty years” (Eileen Battersby, Irish Times)
“For the reader, pleasure derives largely from coming on the unexpected on every other page, and from randomly discovering new insights into familiar topics, or introductions to unfamiliar ones. Ballard’s cool sardonic gaze, eyeing the absurdities of the late twentieth century through the distancing science-fictional viewfinder, renders tragedy almost amusing” (Times Literary Supplement)