Acid for the Children
A Memoir
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ナレーター:
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Flea
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著者:
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Flea
このコンテンツについて
With "virtuosic vulnerability" (The Atlantic), the iconic bassist and Red Hot Chili peppers cofounder pens a love letter to a youth spent wild in Los Angeles in his raw and riveting coming-of-age memoir.
In Acid for the Children, Flea takes listeners on a deeply personal and revealing tour of his formative years, spanning from Australia to the New York City suburbs to, finally, Los Angeles. Through hilarious anecdotes, poetical meditations, and occasional flights of fantasy, Flea deftly chronicles the experiences that forged him as an artist, a musician, and a young man. His dreamy, jazz-inflected prose makes the Los Angeles of the 1970s and '80s come to gritty, glorious life, including the potential for fun, danger, mayhem, or inspiration that lurked around every corner. It is here that young Flea, looking to escape a turbulent home, found family in a community of musicians, artists, and junkies who also lived on the fringe. He spent most of his time partying and committing petty crimes. But it was in music where he found a higher meaning, a place to channel his frustration, loneliness, and love. This left him open to the life-changing moment when he and his best friends, soul brothers, and partners-in-mischief came up with the idea to start their own band, which became the Red Hot Chili Peppers.
Acid for the Children is the debut of a stunning new literary voice, whose prose is as witty, entertaining, and wildly unpredictable as the author himself. It's a tenderly evocative coming-of-age story and a raucous love letter to the power of music and creativity from one of the most renowned musicians of our time.
New York Times best seller
A number one LA Times best seller
A USA Today best seller
One of NPR's "Favorite Books of 2019"
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
©2018 Flea (P)2018 Hachette Audio批評家のレビュー
"Acid for the Children is not an as-told-to, nor is it written "with" someone. These are Flea's words-excitable, jazzy, regretful, disarming, popping and writhing away in his biological bass zone. Insecurities to the fore: He worries that he may be producing "a thorny jumble of trash." But he's actually a lovely writer, with a particular gift for the free-floating and reverberant. He writes in Beat Generation bursts and epiphanies, lifting toward the kind of virtuosic vulnerability and self-exposure associated with the great jazz players....Flea-elegant nutcase, funk-at-high-pressure bassist, wildly cultured and culturedly wild man-has written a fine memoir. You'll put down Acid for the Children with your human sympathies expanded; you'll feel less alone."—The Atlantic
". . . a vital, only-in-L.A. account of a wide-open time filtered through an engaging, humbled voice reshaped by his recovery and reconnecting to his spirit through art and music."—LA Times
"[Acid For The Children is] written with the same lyrical, holy goof-ball energy its author brings to all his public activities, and its earnest, eccentric prose reflects Flea's evolution from Hollywood-scene knucklehead to reflective, spiritually clued-in adult."—The New York Times