Audible会員プラン登録で、12万以上の対象タイトルが聴き放題。
-
All the Rage
- Power, Pain, Pleasure: Stories from the Frontline of Beauty 1860-1960
- ナレーター： Elaine Claxton
- 再生時間： 16 時間 12 分
カートのアイテムが多すぎます
ご購入は五十タイトルがカートに入っている場合のみです。
カートに追加できませんでした。
しばらく経ってから再度お試しください。
ウィッシュリストに追加できませんでした。
しばらく経ってから再度お試しください。
ほしい物リストの削除に失敗しました。
しばらく経ってから再度お試しください。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
Amazonプライム会員限定
3か月無料
聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30％OFFで購入できます。
期間限定：2024年7月22日(日本時間)に終了
2024年7月22日までAmazonプライム会員限定で3か月無料体験キャンペーン開催中（プライム会員以外の方は30日間無料）。詳細はこちら。
会員は12万以上の対象作品が聴き放題、アプリならオフライン再生可能。
Audibleでしか聴けない本やポッドキャストも多数。プロの声優や俳優の朗読も楽しめます。
無料体験終了後は月額￥1,500。いつでも退会できます。
All the Rage
ナレーター：
Elaine Claxton
あらすじ・解説
'No one else makes history this fun' AMANDA FOREMAN
'All the Rage sits you at the dressing table of history: a place of dreams, doubts, self-harm and hopes' SARAH DITUM, SUNDAY TIMES
'Wonderfully engaging' HARPER'S BAZAAR
At the heart of this history is the female body.
The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.
In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time...' (Amanda Foreman) takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body.
The Power
Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.
The Pain
Here is Gladys, who had botched surgery on her nose; Dorothy, whose skin colour lost her an Oscar; Beccy who took slimming pills and died; and - unbelievably - the radioactive corset.
The Pleasure
Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.
Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.
'All the Rage sits you at the dressing table of history: a place of dreams, doubts, self-harm and hopes' SARAH DITUM, SUNDAY TIMES
'Wonderfully engaging' HARPER'S BAZAAR
At the heart of this history is the female body.
The century-span between the crinoline and the bikini witnessed more mutations in the ideal western woman's body shape than at any other period.
In this richly detailed account, Virginia Nicholson, described as 'one of the great social historians of our time...' (Amanda Foreman) takes us to the Frontline of Beauty to reveal the power, the pain and the pleasure involved in adorning the female body.
The Power
Who determines which shape is currently 'all the rage'? Looking at how custom, colour, class and sex fit into the picture, this book also charts how the advances made by feminism collided with the changing shape of desirability.
The Pain
Here is Gladys, who had botched surgery on her nose; Dorothy, whose skin colour lost her an Oscar; Beccy who took slimming pills and died; and - unbelievably - the radioactive corset.
The Pleasure
Here are the 'New Women' who discovered freedom by bobbing their hair; the boyish, athletic 'Health and Beauty' ladies in black knickers; and starlets in bohemian beachwear. Among the first to experience true women's liberation were the early adopters of trousers.
Encompassing two world wars and a revolution in women's rights, All the Rage tells the story of western female beauty from 1860 to 1960, chronicling its codes, its contradictions, its lies, its highs - and its underlying power struggle.
©2024 Virginia Nicholson (P)2024 Hachette Audio UK