
CRIMINAL MISCHIEF 4: POV in Crime Fiction
カートのアイテムが多すぎます
カートに追加できませんでした。
ウィッシュリストに追加できませんでした。
ほしい物リストの削除に失敗しました。
ポッドキャストのフォローに失敗しました
ポッドキャストのフォロー解除に失敗しました
-
ナレーター:
-
著者:
このコンテンツについて
POINT OF VIEW IN CRIME FICTION
Who is telling the story? Is he/she also the protagonist or an observer?
Scout in To Kill a Mockingbird
Nick in The Great Gatsby Is he/she reliable?
How many POV characters is too few/too many? Which characters know too little to drive the story/or know too much and might spoil the story?
TYPES: FIRST PERSON POV: The “I” Character Advantages: Close tie to reader Narrator is the “Star”
Good for mysteries-reader learns as the I character does
Disadvantages: I character must be present Can lead to
awkward plotting
Can’t supply suspenseful information to reader Not good for
thrillers
SECOND PERSON POV: The “You” character—very tricky to use
THIRD PERSON POV: The “He/She” Character
SINGLE: Similar to First person except he/she is used Similar Advantages/Disadvantages as First Person
MULTIPLE: Jumping from head to head Allows reader to get inside several characters Allows reader to have “Superior Knowledge”--Suspense Great for thrillers
CLOSE: Camera in character’s head DISTANT: Camera external and watching the action These distances aren’t either/or but rather a continuum. The “camera” can shift along a line from far behind or above the character to inside the character’s head.
OMNISCIENT POV: The AUTHOR as GOD Jump from head to head at will Can be confusing Requires more writing skill than seems apparent
MIX & MATCH: Can combine POVs if you are good and careful