Be My Guest
Reflections on Food, Community, and the Meaning of Generosity
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ナレーター:
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Priya Basil
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著者:
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Priya Basil
このコンテンツについて
A thought-provoking meditation on food, family, identity, immigration, and, most of all, hospitality - at the table and beyond - that's part food memoir, part appeal for more authentic decency in our daily worlds, and in the world at large.
Be My Guest is an utterly unique, deeply personal meditation on what it means to tend to others and to ourselves - and how the two things work hand in hand. Priya Basil explores how food - and the act of offering food to others - are used to express love and support. Weaving together stories from her own life with knowledge gleaned from her Sikh heritage; her years spent in Kenya, India, Britain, and Germany; and ideas from Derrida, Plato, Arendt, and Peter Singer, Basil focuses an unexpected and illuminating light on what it means to be both a host and a guest.
Lively, wide-ranging, and impassioned, Be My Guest is a singular work, at once a deeply felt plea for a kinder, more welcoming world and a reminder that, fundamentally, we all have more in common than we imagine.
©2020 Priya Basil (P)2020 Random House Audio批評家のレビュー
"Basil draws on memoir, storytelling, religion, politics, and philosophy in this delightful and ruminative culinary cultural study.... [Her] powerful intellectual curiosity is sure to intrigue readers." (Publishers Weekly, starred review)
"Basil explores what it means to be a woman, an immigrant, a host, and a guest through the backdrop of food, specifically the Indian food that reflects her Sikh background.... Pungent details help bring readers into the moment.... [Basil] also touches on deep subjects such as racism, food waste, and how food can be healing, seductive, or even used as a weapon." (Kirkus)
"If the whole world digested Be My Guest, we'd be OK. It won't happen, of course, and Basil doesn't pretend that it will. Chauvinists, xenophobes, climate change deniers - inhospitable people the world over - will detest her compellingly beautiful book." (Alexander Gilmour, The Financial Times)