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Book Lovers
- ナレーター： Julia Whelan
- 再生時間： 11 時間 23 分
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Book Lovers
批評家のレビュー
"[Book Lovers] is multilayered and the characters' familial challenges are complex. By both playing to and overtly subverting romance tropes and archetypes like the high-powered big city woman who neglects her family and the life-affirming power of small-town life, this novel delivers an insightful comedic meditation on love, family and going your own way."—NPR
“If Emily Henry makes herself laugh at the character's dialogue in her own books, it's understandable. She is a master at witty repartee….It's a safe bet that viewers would enjoy seeing Henry's characters come to life on screen."—Associated Press
“It is humanly impossible for Emily Henry to write a bad book. Her particular blend of grief and messy relationships is a heady cocktail of intoxicating yearning…Whatever Henry decides to spear, be it literary posturing or vacation rom-com, she subverts her subjects in the most delicious ways."—Entertainment Weekly
あらすじ・解説
“One of my favorite authors.”—Colleen Hoover
An insightful, delightful, instant #1 New York Times bestseller from the author of Beach Read and People We Meet on Vacation.
Named a Most Anticipated Book of 2022 by Oprah Daily ∙ Today ∙ Parade ∙ Marie Claire ∙ Bustle ∙ PopSugar ∙ Katie Couric Media ∙ Book Bub ∙ SheReads ∙ Medium ∙ The Washington Post ∙ and more!
One summer. Two rivals. A plot twist they didn't see coming...
Nora Stephens' life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby.
Which is why she agrees to go to Sunshine Falls, North Carolina, for the month of August when Libby begs her for a sisters’ trip away—with visions of a small town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute.
If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.