Audible会員プラン登録で、20万以上の対象タイトルが聴き放題。

プレビューの再生

聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30%OFFで購入できます。

無料体験で、20万以上の対象作品が聴き放題に
アプリならオフライン再生可能
プロの声優や俳優の朗読も楽しめる
Audibleでしか聴けない本やポッドキャストも多数
無料体験終了後は月額¥1,500。いつでも退会できます。

Camille Silvy

著者: Marina Vaizey
ナレーター: Dana Brewer Harris
¥350で会員登録し購入

無料体験終了後は月額¥1,500。いつでも退会できます。

¥500 で購入

¥500 で購入

下4桁がのクレジットカードで支払う
ボタンを押すと、Audibleの利用規約およびAmazonのプライバシー規約同意したものとみなされます。支払方法および返品等についてはこちら

あらすじ・解説

Major discoveries can still be made in the field of visual art, but few perhaps are quite so surprising as the current first retrospective devoted to the French photographer Camille Silvy at the National Portrait Gallery, London (to October 24).

Here is a photographer who proves to be a giant of the age, although his enormous aesthetic and commercial success took place in London in less than a decade. His entire working career lasted only about 10 years, and initially he was no more than a curious and intelligent amateur.

From 1859 to 1867, 38 Porchester Terrace, Bayswater, housed Silvy's remarkable enterprise. No fewer than 40 employees and a business partner, Auguste Renoult, were involved in a photography studio which, judging simply from 12 surviving day-books now housed at the National Portrait Gallery, produced thousands of photographs, the vast majority of which were portraits for the immensely fashionable cartes-de-visite, or calling cards, which had just been invented: when paying a call one left one's image rather than an engraved visiting card. Silvy advertised in The Times and elsewhere, copyrighted many of his images and did mail order as well as selling through London's largest photographic agency. The business was exceptionally productive, merging art with small factory methods.

©2014 , 2017 Cv Publications (P)2017 Cv Publications

Camille Silvyに寄せられたリスナーの声

カスタマーレビュー:以下のタブを選択することで、他のサイトのレビューをご覧になれます。