A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible. In a flash, every human-erected construction on Earth - from Buckingham Palace to the tiniest of sheds - collapses in a heap, sinking into the ground. The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot.

Silas is inducted into the System, becoming the last in a long line of Earth's "forerunners." The rewards are great, but the danger is greater. We are not alone in the universe. The fate of five worlds hangs on how their forerunners perform. Will Silas have what it takes to win Earth a place in the multiverse? Or will Earth become another mining world stripped of all resources and left a barren husk floating in the cosmos?

It’s not easy making the career jump from office-supplies-store middle manager to heroic interdimensional adventurer. At least, Jason tries to be heroic, but it's hard to be good when all your powers are evil. He’ll face off against cannibals, cultists, wizards, monsters...and that’s just on the first day. He’s going to need courage, he’s going to need wit, and he’s going to need some magic powers of his own. But first, he’s going to need pants.

Large chests are said to encompass all manner of hopes and dreams. Men covet them. Women envy them. But one fact holds true - everyone wants to get their hands on some big ones. The same holds true for one intrepid adventurer - a strapping young lad by the name of Himmel. Armed with his grandfather's trusty longsword and the dream of being the strongest, he sets out on the journey of a lifetime!

All Systems Red is the tense first science fiction adventure novella in Martha Wells' series The Murderbot Diaries. For fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or Iain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans.

"No killing Goblins." So reads the sign outside of The Wandering Inn, a small building run by a young woman named Erin Solstice. She serves pasta with sausage, blue fruit juice, and dead acid flies on request. And she comes from another world. Ours. It's a bad day when Erin finds herself transported to a fantastical world and nearly gets eaten by a Dragon. She doesn't belong in a place where monster attacks are a fact of life, and where Humans are one species among many. But she must adapt to her new life. Or die.

After dying and being reborn into a world that's built like a video game, Jim has found himself stuck in a very old-world style new-player zone for low-level adventurers. Unfortunately, the zone fell out of use centuries ago, and no one told the monsters they were supposed to take it easy on the Noobs. Even worse, the only new player around is Jim. Jim has been given an opportunity, and he'll do his best to take advantage of it.

Jeb Trapper tried to kill himself. The gun jammed. Two months later, the vet is now participating in underground trials of ecstasy to treat his PTSD. Everything seems to be going great until Jeb is teleported into a tutorial, along with everyone else on Earth. Now, he has to choose the level of difficulty. There's just one problem: He's high as a kite, and nothing seems impossible.

I never believed in the whole “light at the end of the tunnel” folly where people, after having a near-death experience, would startle awake in a cold sweat exclaiming, “I saw the light!” But there I was, in this so-called “tunnel” facing a glaring light, when the last thing I remembered was sleeping in my room - the royal bed-chamber, as others called it. Had I died? If so, how? King Grey once benefited from unrivaled strength, wealth, and prestige in a world governed by martial ability but now finds himself reborn in a society dominated by magic.

All the world's a stage...even when you're teleported to a new world. Struggling actress Cara O'Sullivan was walking down the street of Galway one moment, and the next, she was in an ancient tomb in a faraway world. Alone in the dark with her cell phone as her last tenuous connection to home, Cara sings her favorite song. To her astonishment, her song casts a spell of light into the world...and from the depths, something hears her. Challenged by a ghostly knight, a tragic necromancer, and hordes of undead, can a young woman who does not believe in heroes become one herself?