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City of Orange
- ナレーター： Intae Kim
- 再生時間： 11 時間 10 分
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City of Orange
あらすじ・解説
A man wakes up in an unknown landscape, injured and alone.
He used to live in a place called California, but how did he wind up here with a head wound and a bottle of pills in his pocket?
He navigates his surroundings, one rough shape at a time. Here lies a pipe, there a reed that could be carved into a weapon, beyond a city he once lived in.
He could swear his daughter’s name began with a J, but what was it, exactly?
Then he encounters an old man, a crow, and a boy—and realizes that nothing is what he thought it was, neither the present nor the past.
He can’t even recall the features of his own face, and wonders: who am I?
Harrowing and haunting but also humorous in the face of the unfathomable, David Yoon’s City of Orange is a novel about reassembling the things that make us who we are, and finding the way home again.
批評家のレビュー
"Very few postapocalyptic novels have the literary qualities of this one. City of Orange belongs in a very narrow category, alongside Emily St. John’s Station Eleven, Richard Matheson’s I Am Legend and Cormac McCarthy’s The Road. Like all the best authors in the genre, David Yoon is willing to ask what ‘the End of the World’ really means — and provide the reader with a thoughtful, heartfelt answer."
—SF Chronicle
"Yoon finds the tension in the smallest of acts—like heating up a can of soup—and builds suspense by teasing out information about the world, forcing readers to question everything. Fans of The Martian will enjoy this new take on the struggle to survive in an unfamiliar land."
—Publishers Weekly
“Whether it’s discovering shelter, finding food or simply managing in brutal conditions, the ever-challenging backdrop of City of Orange makes the determining of reality a mystery readers will want to solve alongside the main character. That’s this novel’s biggest feat: By giving just enough vivid detail but keeping key elements ambiguous, a reader can easily morph into the main character and become a part of this world.”
—USA Today