『Deathless Divide』のカバーアート

Deathless Divide

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Deathless Divide

著者: Justina Ireland
ナレーター: Bahni Turpin, Jordan Cobb
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The sequel to the New York Times best-selling epic Dread Nation is an unforgettable journey of revenge and salvation across a divided America.

After the fall of Summerland, Jane McKeene hoped her life would get simpler: Get out of town, stay alive, and head west to California to find her mother.

But nothing is easy when you’re a girl trained in putting down the restless dead, and a devastating loss on the road to a protected village called Nicodemus has Jane questioning everything she thought she knew about surviving in 1880s America.

What’s more, this safe haven is not what it appears - as Jane discovers when she sees familiar faces from Summerland amid this new society. Caught between mysteries and lies, the undead, and her own inner demons, Jane soon finds herself on a dark path of blood and violence that threatens to consume her.

But she won’t be in it alone.

Katherine Deveraux never expected to be allied with Jane McKeene. But after the hell she has endured, she knows friends are hard to come by - and that Jane needs her, too, whether Jane wants to admit it or not.

Watching Jane’s back, however, is more than she bargained for, and when they both reach a breaking point, it’s up to Katherine to keep hope alive - even as she begins to fear that there is no happily-ever-after for girls like her.

©2020 Justina Ireland (P)2020 HarperCollins Publishers
サバイバルストーリー ファンタジー 人種差別・差別 歴史フィクション 歴史・文化

批評家のレビュー

"Two narrators portray the dynamic relationship of the heroines in this compelling sequel to Dread Nation.... Bahni Turpin gives an engaging performance of the gritty and sarcastic Jane McKeene. Turpin adds increasing emotion to her tone as Jane becomes bent on killing a man who is causing death and destruction. Jordan Cobb effects the more refined expression of genteel Katherine, reflecting perfectly her onset of caring and self-questioning after witnessing Jane's near death. Themes of human experimentation and prejudice take a back seat to the tense action in this gripping audio." (AudioFile Magazine)

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