『Electric Ladyland: Women and Rock Culture』のカバーアート

Electric Ladyland: Women and Rock Culture

プレビューの再生

聴き放題対象外タイトルです。Audible会員登録で、非会員価格の30%OFFで購入できます。

¥2,170で会員登録し購入
無料体験で、20万以上の対象作品が聴き放題に
アプリならオフライン再生可能
プロの声優や俳優の朗読も楽しめる
Audibleでしか聴けない本やポッドキャストも多数
無料体験終了後は月額¥1,500。いつでも退会できます。

Electric Ladyland: Women and Rock Culture

著者: Lisa L. Rhodes
ナレーター: Laura Faye Smith
¥2,170で会員登録し購入

無料体験終了後は月額¥1,500。いつでも退会できます。

¥3,100 で購入

¥3,100 で購入

注文を確定する
下4桁がのクレジットカードで支払う
ボタンを押すと、Audibleの利用規約およびAmazonのプライバシー規約同意したものとみなされます。支払方法および返品等についてはこちら
キャンセル

このコンテンツについて

With the explosion of rock music in the mid-1960s, women arrived - as performers, critics, and fans. While operating in radically different ways within rock culture, female musicians, journalists, and groupies rewrote women's roles on and off the stage in the 1960s and 1970s.

Electric Ladyland is a social and cultural history of this formative era in rock and roll, examining how the changing roles of women were intertwined with the evolution of the music. Articles and reviews from Rolling Stone and the Village Voice provide a window on a time when female musicians such as Janis Joplin, Aretha Franklin, and Joni Mitchell battled sexism from concert promoters and mainly male reviewers. Feminist rock journalists, however, were coming into their own. In particular, Ellen Willis, music critic for the New Yorker, and Lillian Roxon, author of the influential Rock Encyclopedia, transformed the way society perceived sometimes marginalized female performers.

The groupie was born at the same time, and Rhodes devotes considerable attention to the rise of this phenomenon. Through journalistic accounts as well as personal interviews with groupies of the 1960s and 1970s, she explores these women's dual legacy of self-assertion and promiscuous behavior that resonates to this day through the popularity of such films as Almost Famous.

Deeply informed by critical media studies and drawing on diverse and rich sources, Electric Ladyland assesses the lasting effects of cultural representations on female sexuality and gender roles.

The book is published by University of Pennsylvania Press.

©2005 University of Pennsylvania Press (P)2012 Redwood Audiobooks
女性学 米国 音楽

批評家のレビュー

" Electric Ladyland adds an important layer to the study of rock's Golden Age and that era's pervasive influence on the attitudes still prevalent in popular music today." (Ann Powers, former New York Times music critic and senior curator, Experience Music Project)

Electric Ladyland: Women and Rock Cultureに寄せられたリスナーの声

カスタマーレビュー:以下のタブを選択することで、他のサイトのレビューをご覧になれます。