Jazz is a uniquely American art form, one of America's great contributions to not only musical culture, but world culture, with each generation of musicians applying new levels of creativity that take the music in unexpected directions that defy definition, category, and stagnation. Now you can learn the basics and history of this intoxicating genre in an eight-lecture series that is as free-flowing and original as the art form itself.

The 20th century was a hotbed of musical exploration, innovation, and transformation unlike any other epoch in history. Ranging across the century in its entirety, these 24 lectures present a musical cornucopia of astounding dimensions - a major presentation and exploration of the incredible brilliance and diversity of musical art across a turbulent century. Far more than simply a series of lectures, the program comprises a huge and many-sided resource for discovering the endless riches of 20th-century concert music across the globe.

The Great Gate of Kiev resounds to the tumultuous bell rings that end Pictures an an Exhibition, one of the most magnificent and virtuosic of all piano pieces. However, to some of his contemporaries, Modest Mussorgsky was ‘insane’ and ‘a perfect idiot’. Born into a wealthy land-owning family, what drove this tormented man and why did he suffer psychological breakdowns and alcoholism? How did he achieve his command of the realist idiom in his stage works? d, of course, Pictures at an Exhibition.

Wolfgang Amadeus Mozart, the most astonishing child prodigy in the history of music, is felt by many people to be the greatest composer who ever lived. Dominated and shaped by a highly intelligent but frustrated and ambitious father, his story sees the development of a unique genius, from precocious and often endearing childhood to liberated fulfillment, unexpected poverty, and a tragically early death. Generously illustrated by Mozart’s music, from his fifth to his final year, this portrait-in-sound reveals a fascinating yet elusive character, drawing richly on the words of the composer himself and those who knew him.

Johann Sebastian Bach today has a reputation as the Godfather of Western European music, as a fountainhead of classical music theory and the creator of some of the greatest works the world has ever produced. Better known as a keyboard virtuoso, Bach was not regarded as a genius in his day, so how did this headstrong and belligerent but ambitious young musician become so extremely productive? What were his influences? How did he end up in jail and what did he get up to in Café Zimmerman?