Groundskeeping
A novel
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Groundskeeping
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ナレーター：
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Michael Crouch
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著者：
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Lee Cole
このコンテンツについて
A TODAY SHOW #ReadWithJenna BOOK CLUB PICK • An indelible love story about two very different people navigating the entanglements of class and identity and coming of age in an America coming apart at the seams—this is "an extraordinary debut about the ties that bind families together and tear them apart across generations" (Ann Patchett, best-selling author of The Dutch House).
In the run-up to the 2016 election, Owen Callahan, an aspiring writer, moves back to Kentucky to live with his Trump-supporting uncle and grandfather. Eager to clean up his act after wasting time and potential in his early twenties, he takes a job as a groundskeeper at a small local college, in exchange for which he is permitted to take a writing course.
Here he meets Alma Hazdic, a writer in residence who seems to have everything that Owen lacks—a prestigious position, an Ivy League education, success as a writer. They begin a secret relationship, and as they grow closer, Alma—who comes from a liberal family of Bosnian immigrants—struggles to understand Owen’s fraught relationship with family and home.
Exquisitely written; expertly crafted; dazzling in its precision, restraint, and depth of feeling, Groundskeeping is a novel of haunting power and grace from a prodigiously gifted young writer.
批評家のレビュー
A TODAY SHOW #ReadWithJenna BOOK CLUB PICK
“Groundskeeping is very fine work indeed from an exciting new voice . . . Given a novel so satisfyingly rich in themes and details, a review can only touch briefly on some of its many virtues . . . Groundskeeping is not only the story of a young man finding his vocation as a writer but also a wrenching examination of class differences, that third-rail topic in American literature, and of our current political polarization, which the narrator addresses with an unusual amount of empathy for the side he opposes. These elements supplement Cole’s nuanced depiction of a love affair between two people with more in common than they initially realize . . . Owen is entirely believable as a developing writer, jotting down his recollections and observations as the building blocks of his project to become an artist and a better human being. Alma is depicted with equal subtlety and generosity; their relationship drives the plot and brings the novel to a fitting conclusion.”—Wendy Smith, The Washington Post
“A sterling novel that presages a major career, Groundskeeping puts a fresh spin on the divided self adrift in a divided nation . . . Cole paints in airy watercolors rather than bright acrylics; his touch is light, restrained, but always authoritative and precise. As with Helen Frankenthaler’s canvases, Groundskeeping achieves poise and uplift. But beneath the languid tale of young campus love, he’s playing a shell game: The novel’s not only a forensic examination of our toxic politics, it’s also a sly sendup of literary culture, a conveyor belt of M.F.A. programs and prizes and teaching gigs . . . It’s a thrill—a relief—to read a writer who approaches his male characters with generosity and intuition, steering blessedly free of caricature . . . [An] exacting, beautifully textured debut novel.”—Hamilton Cain, The New York Times Book Review
“Scrupulously perceptive . . . Groundskeeping is filled with close observation, detailed shading. It is an absorbing love story, but it is also an examination of class in America, and it captures with sharp insight a moment in recent history.” —Colm Tóibín, author of Brooklyn