
Hume
A Very Short Introduction
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ナレーター:
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Julian Elfer
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著者:
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James A. Harris
このコンテンツについて
David Hume, philosopher, historian, economist, librarian, and essayist, was one of the great figures of the European Enlightenment. Unlike some of his famous contemporaries, however, he was not dogmatically committed to idealized conceptions of reason, liberty, and progress. Instead, Hume was a skeptic whose arguments questioned the reach and authority of human rationality, and who put the rivalrous passions of commercial life at the center of his theory of human nature. He believed that the modern world was in many ways superior to the ancient world, but was acutely conscious of the threats to peace and progress posed by bigotry, factionalism, and imperialism. Today Hume's works continue to speak to us powerfully in an age of instability and uncertainty.
This Very Short Introduction presents a balanced account of Hume's thought, giving equal attention to his work on human nature, morality, politics, and religion. Weaving together biography, the historical context, and a thoughtful exposition of Hume's arguments, James A. Harris offers a compelling picture of a thinker who had no disciples and formed no school, but whom no one in his own time was able to ignore, and who has since become central to modern philosophy's understanding of itself.
©2021 James A. Harris (P)2021 Tantorこちらもおすすめ
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In this Very Short Introduction, Bernard O'Donoghue provides a fascinating look at the many different forms of writing which have been called "poetry" - from the Greeks to the present day. As well as questioning what poetry is, he asks what poetry is for, and considers contemporary debates on its value. Is there a universality to poetry? And does it have a duty of public utility and responsibility?
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Throughout history scepticism and the urge to question accepted truths has been a powerful force for change and growth. Today, as we are bombarded by adverts, scientific studies praising the latest superfoods, and political rhetoric, a healthy amount of scepticism is widely encouraged. But when is such scepticism legitimate - for example, as a driver of new ideas - and when is it problematic? And what role might adopting a sceptical outlook play in leading an intellectually virtuous life?
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Plato
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Schopenhauer
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自由論
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「本人の意向に反して権力を行使しても正当でありうるのは、他の人々への危害を防止するという目的での権力行使だけである」。大衆の画一的な世論やエリートの専制によって個人が圧殺される事態を憂慮した
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アルベール・カミュ
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To many in the West, Orthodoxy remains shrouded in mystery, an exotic and foreign religion that survived in the East following the Great Schism of 1054 that split the Christian world into two camps - Catholic and Orthodox. However, as the second largest Christian denomination, Orthodox Christianity is anything but foreign to the nearly 300 million worshipers who practice it. For them, Orthodoxy is a living, breathing reality; a way of being Christian ultimately rooted in the person of Jesus and the experience of the early church.
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Jane Austen
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This Very Short introduction explores the major themes of Austen criticism through close analysis of her major and minor works, with particular emphasis on the literary, social, and political backgrounds from which the novels emerge, and with which they engage. Thomas Keymer combines critical introductions to each of Austen's six major novels with an exploration of the key themes in her works.
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George Bernard Shaw
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George Bernard Shaw has been called the second greatest playwright in English (after William Shakespeare) and one of the inventors of modern celebrity as the most famous public intellectual of his time. Beginning in the 1880s, as a critic and as a playwright, he transformed British drama, bringing to it intellectual substance, ethical imperatives, and modernity itself, setting the theatrical course for the subsequent century. That his legacy endures 70 years after his death is testament to the prescience of his thinking and his prolific creativity.
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Classics
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We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?
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