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Jazz

A History of America's Music

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Jazz

著者： Geoffrey C. Ward, Ken Burns
ナレーター： LeVar Burton
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 Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh sounds made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether.

But Jazz is more than a mere biography. The history of the music echoes the history of twentieth-century America. Jazz provided the background for the giddy era that F. Scott Fitzgerald called the Jazz Age. The irresistible pulse of big-band swing lifted the spirits and boosted American morale during the Great Depression and World War II. The virtuosic, demanding style called bebop mirrored the stepped-up pace and dislocation that came with peace. During the Cold War era, jazz served as a propaganda weapon - and forged links with the burgeoning counterculture. The story of jazz encompasses the story of American courtship and show business; the epic growth of cities, and the struggle for civil rights and simple justice that continues into the new millennium.

©2000 by The Jazz Film Project, Inc. (P)2000 Random House, Inc. Random House AudioBooks, A Division of Random House, Inc. アート 歴史・批評 米国

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