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Knife

著者: Neil Smith - translator, Jo Nesbø
ナレーター: John Lee
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あらすじ・解説

Brilliant, audaciously rogue police officer Harry Hole, from The Snowman and The Thirst, is back and in the throes of a new, unanticipated rage - once again hunting the murderer who has haunted his entire career.

Harry Hole is not in a good place. Rakel - the only woman he's ever loved - has ended it with him, permanently. He's been given a chance for a new start with the Oslo Police, but it's in the cold case office. What he really wants is to be investigating cases he suspects have ties to Svein Finne, the serial rapist and murderer who Harry helped put behind bars. And now, Finne is free after a decade-plus in prison - free and, Harry is certain, unreformed and ready to take up where he left off. But things will get worse. When Harry wakes up the morning after a drunken night with blood that's clearly not his own on his hands, it's only the very beginning of what will be a waking nightmare the likes of which even he could never have imagined.

©2019 Jo Nesbo (P)2019 Random House Audio

批評家のレビュー

"Knife, Mr. Nesbo's 12th Harry Hole book, translated from the Norwegian by Neil Smith, is arguably the best entry yet in the author's outstanding series.... The moral conundrums in Knife are Dostoevskian, the surprises are breathtaking, the one-liners are amusing, and the suspense is unrelenting. This is that rare lengthy book that one wouldn't want shortened by even a single page.” (Tom Nolan, The Wall Street Journal)

"Knife is indeed a sharp example of its genre. The pages turn, the violence is brutal, and the characters are well-drawn and mysterious.... The book is dense, but brisk.... Nesbo has a great sense of pacing. Each reveal - did he do it? did she? - is meticulously laid out as he takes readers along for the ride.... The final whodunit is powerful and leaves Harry - and readers - wondering what’s next.” (Rob Merrill, Associated Press)

"Knife is a reminder of why people read [Nesbo’s] books.... Thicker and more complex than most of the earliest Nesbo novels - including his often-slender stand-alone books - Knife resembles in its heft and sweep The Redbreast.... The novel ends with a fascinating series of shifts and reframings both dramatically satisfying as fiction and - in the real, Norwegian world of crime-fighting in which the novel is set - ethically queasy.... It also leaves Harry on what can only be called a knife’s edge. The bad, or at least, ambiguous news for the novel’s characters is good news for the rest of us: There will, it seems, be more of these.” (Scott Timberg, Los Angeles Times)

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