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Murder by the Book
- The Crime That Shocked Dickens's London
- ナレーター: Andy Secombe
- 再生時間: 7 時間 44 分
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あらすじ・解説
"Enthralling . . . A page-turner that can hold its own with any one of the many murder-minded podcasts out there." (Jezebel)
From the acclaimed biographer - the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?
In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. The missing clue, it turned out, lay in the unlikeliest place: what Courvoisier had been reading.
In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly, everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales - Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Lord William's murderer finally confessed his guilt, he would cite this novel in his defense.
Murder by the Book combines this thrilling true-crime story with an illuminating account of the rise of the novel form and the battle for its early soul among the most famous writers of the time. It is superbly researched, vividly written, and captivating from first to last.
批評家のレビュー
“This beautifully produced and impressively researched historical account of a celebrated Victorian murder with a literary twist reads like a thriller. I devoured it in one sitting, and was at once enthralled and chilled. Highly recommended!” (Alison Weir)
“A remarkable story which Harman draws so skillfully.... A brilliant piece of literary detective work. And though Harman is never so crass as to draw comparisons with today’s concerns over the effects of drill music or chic TV assassins (Killing Eve’s Villanelle?), the resonances ping from every page.” (Marcus Field, London Evening Standard)
“Harman’s meticulous research places the murder within the literary context of the day, from Dickens’s fascination with true crime to Thackeray’s repudiation of it. The result is a fascinating portrait of Victorian London amid the rising popularity of the novel.” (Hannah Beckerman, The Observer, London)