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Olive Kitteridge
- Fiction
- ナレーター: Kimberly Farr
- 再生時間: 12 時間 2 分
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あらすじ・解説
WINNER OF THE PULITZER PRIZE • The beloved first novel featuring Olive Kitteridge, from the number one New York Times best-selling author of the Oprah’s Book Club pick Olive, Again
“Fiction lovers, remember this name: Olive Kitteridge.... You’ll never forget her.” (USA Today)
NAMED ONE OF THE BEST BOOK OF THE YEAR BY The Washington Post Book World • USA Today • San Francisco Chronicle • Chicago Tribune • Seattle Post-Intelligencer • People • Entertainment Weekly • The Christian Science Monitor • The Plain Dealer • The Atlantic • Rocky Mountain News • Library Journal
At times stern, at other times patient, at times perceptive, at other times in sad denial, Olive Kitteridge, a retired schoolteacher, deplores the changes in her little town of Crosby, Maine, and in the world at large, but she doesn’t always recognize the changes in those around her: a lounge musician haunted by a past romance; a former student who has lost the will to live; Olive’s own adult child, who feels tyrannized by her irrational sensitivities; and her husband, Henry, who finds his loyalty to his marriage both a blessing and a curse.
As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life - sometimes painfully, but always with ruthless honesty. Olive Kitteridge offers profound insights into the human condition - its conflicts, its tragedies and joys, and the endurance it requires.
The inspiration for the Emmy Award-winning HBO miniseries starring Frances McDormand, Richard Jenkins, and Bill Murray
批評家のレビュー
“Olive Kitteridge still lingers in memory like a treasured photograph.” (Seattle Post-Intelligencer)
“Rarely does a story collection pack such a gutsy emotional punch.” (Entertainment Weekly)
“Strout animates the ordinary with astonishing force.... [She] makes us experience not only the terrors of change but also the terrifying hope that change can bring: she plunges us into these churning waters and we come up gasping for air.” (The New Yorker)