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On Java Road
- A Novel
- ナレーター： Michael Obiora
- 再生時間： 7 時間 12 分
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On Java Road
あらすじ・解説
New York Times Book Review Editors’ Choice • A veteran journalist in Hong Kong investigates the disappearance of a student protester in this “sensual, provocative, and riveting” (The Washington Post) novel from the celebrated author of The Forgiven—now a major motion picture starring Jessica Chastain and Ralph Fiennes.
ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, CrimeReads
After two decades as a journalist in Hong Kong, ex-pat Englishman Adrian Gyle is ready to turn his back on the city he knew so well. But as Hong Kong erupts in violence with pro-democracy demonstrations hitting ever closer to home, could this be the final assignment Gyle was looking for?
Watching from the skyrises is his old friend Jimmy Tang, the scion of one of Hong Kong’s wealthiest families. Through him Gyle uncovers an intriguing lead: the mysterious Rebecca, a student involved in the protests, and the latest of his Jimmy’s reckless dalliances. But when Rebecca goes missing and Jimmy hides, it rekindles in Gyle an old urge to investigate.
Piecing together Rebecca’s final days and hours, Gyle must tread carefully through a volatile world of friendship and betrayal. Vividly capturing a city on the brink, On Java Road tells the gripping story of a man between the fault lines of old worlds and new orders in pursuit of the truth.
批評家のレビュー
“On Java Road evokes the themes and tropes of other classic writers, with echoes of F. Scott Fitzgerald’s The Great Gatsby and Graham Greene’s The Third Man. Mr. Osborne turns those references upside-down, subverting expectations of characters’ behavior and story resolution. . . . Those receptive to its elegant writing and intelligent pleasures will be richly rewarded.”—The Wall Street Journal
“To open a new Lawrence Osborne book is to enter a maze of thrills from which there is no exit other than to finish the book in one sitting.”—Molly Young, The New York Times
“Shades of Graham Greene and Patricia Highsmith fall across [Osborne’s] colorful pages. Like both, he has a nomadic imagination strongly responsive to the lure of the foreign and enthralled by duplicity, mistrust, and betrayal. Like Greene, he favors down-at-heel figures who have a kind of shabby integrity. Like Highsmith, he is fascinated by glamorously amoral sociopaths. . . . His most compulsive [novel] yet.”—Sunday Times (London)