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  • Plagued by Fire

  • The Dreams and Furies of Frank Lloyd Wright
  • 著者: Paul Hendrickson
  • ナレーター: Arthur Morey
  • 再生時間: 24 時間 49 分

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Plagued by Fire

著者: Paul Hendrickson
ナレーター: Arthur Morey
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あらすじ・解説

Frank Lloyd Wright has long been known as a rank egotist who held in contempt almost everything aside from his own genius. Harder to detect, but no less real, is a Wright who fully understood, and suffered from, the choices he made. This is the Wright whom Paul Hendrickson reveals in this masterful biography: the Wright who was haunted by his father, about whom he told the greatest lie of his life. And this, we see, is the Wright of many other neglected aspects of his story: his close, and perhaps romantic, relationship with friend and early mentor Cecil Corwin; the eerie, unmistakable role of fires in his life; the connection between the 1921 Black Wall Street massacre in Tulsa, Oklahoma, and the murder of his mistress, her two children, and four others at his beloved Wisconsin home. In showing us Wright's facades along with their cracks, Hendrickson helps us form a fresh, deep, and more human understanding of the man. With prodigious research, unique vision, and his ability to make sense of a life in ways at once unexpected, poetic, and undeniably brilliant, he has given us the defining book on Wright.

©2019 Paul Hendrickson (P)2019 Random House Audio

批評家のレビュー

“Dazzling.... Ingenious.... Plagued by Fire has moments of raw emotional power.” (Amanda Hurley, The American Scholar)

“Hendrickson is one of our great stylists.” (Boston Globe)

“Paul Hendrickson has made a life of taking the figures we think we know, and revealing how little we actually understood them. From the depression-era photographer Marion Post Wolcott to the war-maker Robert McNamara and the writer Ernest Hemingway, his subjects tend to be complex, ambitious men and women caught in the thrust of outsized times. Hendrickson has his work cut out for him with Wright, certainly the most written about architect in the world. Yet this, his longest book might be his most beautifully written - there’s a tone of absolute curiosity and respect, a judiciousness about probing a long-dead psyche, and a depth of understanding about how hidden demons often contribute to the art that artists make which [makes] this book absolutely riveting, as if all the buildings it describes have yet to be built.” (John Freeman, Executive Editor, Literary Hub)

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