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Razor Girl
- A Novel
- ナレーター: John Rubinstein
- 再生時間: 12 時間 20 分
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あらすじ・解説
The new full-tilt, unstoppably hilarious and entertaining novel from the best-selling author of Skinny Dip and Bad Monkey.
When Lane Coolman's car is bashed from behind on the road to the Florida Keys, what appears to be an ordinary accident is anything but (this is Hiaasen!). Behind the wheel of the other car is Merry Mansfield - the eponymous Razor Girl - and the crash scam is only the beginning of events that spiral crazily out of control while unleashing some of the wildest characters Hiaasen has ever set loose. There's Trebeaux, the owner of Sedimental Journeys - a company that steals sand from one beach to restore erosion on another...Dominick "Big Noogie" Aeola, a NYC mafia capo with a taste for tropic wear...Buck Nance, a Wisconsin accordionist who has rebranded himself as the star of a redneck reality show called Bayou Brethren...A street psycho known as Blister who's more Buck Nance than Buck could ever be...Brock Richardson, a Miami product-liability lawyer who's getting dangerously - and deformingly - hooked on the very ED product he's litigating against...And Andrew Yancy - formerly Detective Yancy, busted down to the Key West roach patrol after accosting his then-lover's husband with a Dust Buster. Yancy believes that if he can singlehandedly solve a high-profile murder, he'll get his detective badge back. That the Razor Girl may be the key to Yancy's future will be as surprising as anything else he encounters along the way - including the giant Gambian rats that are livening up his restaurant inspections.
批評家のレビュー
"Carl Hiaasen’s irresistible Razor Girl meets his usual sky-high standards for elegance, craziness and mike-drop humor. But this election-year novel is exceptionally timely, too. . . . [A] wonderfully overstocked book." (The New York Times)
"Raucous.... It’s a classic Hiaasen setup, and Razor Girl delivers on it with seasoned, professional ease. The dialogue somehow sounds believable even at its most deadpan hilarious, and the multi-pronged satire—of Florida, corrupt cops, bumbling criminals, and, most exquisitely, the entertainment industry - is gentle but merciless." (The Washington Post)
"One of the wildest, funniest Hiaasen novels yet." (The Daily News)