『Sons and Lovers』のカバーアート

Sons and Lovers

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Sons and Lovers

著者: David Herbert Lawrence
ナレーター: Mark Smith
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“The Bottoms” succeeded to “Hell Row.” Hell Row was a block of thatched, bulging cottages that stood by the brook-side on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder-trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that plodded wearily in a circle round a gin. And all over the countryside were these same pits, some of which had been worked in the time of Charles II., the few colliers and the donkeys burrowing down like ants into the earth, making queer mounds and little black places among the corn-fields and the meadows. And the cottages of these coalminers, in blocks and pairs here and there, together with odd farms and homes of the stockingers, straying over the parish, formed the village of Bestwood.

Then, some sixty years ago, a sudden change took place. The gin-pits were elbowed aside by the large mines of the financiers. The coal and iron field of Nottinghamshire and Derbyshire was discovered. Carston, Waite and Co. appeared. Amid tremendous excitement, Lord Palmerston formally opened the company’s first mine at Spinney Park, on the edge of Sherwood Forest.

About this time the notorious Hell Row, which through growing old had acquired an evil reputation, was burned down, and much dirt was cleansed away.

Public Domain (P)2024 Classici Stranieri
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