The Birdcatcher
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Audible会員プラン 無料体験
The Birdcatcher
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ナレーター：
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Adenrele Ojo
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著者：
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Gayl Jones
このコンテンツについて
NATIONAL BOOK AWARD FINALIST 2022
Publishers Weekly Top 10 BEST BOOKS OF 2022
“Gayl Jones’s work represents a watershed in American literature."
—Imani Perry
Legendary writer Gayl Jones returns with a stunning new novel about Black American artists in exile
Gayl Jones, the novelist Toni Morrison discovered decades ago and Tayari Jones recently called her favorite writer, has been described as one of the great literary writers of the 20th century. Now, for the first time in over 20 years, Jones is publishing again. In the wake of her long-awaited fifth novel, Palmares, The Birdcatcher is another singular achievement, a return to the circles of her National Book Award finalist, The Healing.
Set primarily on the island of Ibiza, the story is narrated by the writer Amanda Wordlaw, whose closest friend, a gifted sculptor named Catherine Shuger, is repeatedly institutionalized for trying to kill a husband who never leaves her. The three form a quirky triangle on the white-washed island.
A study in Black women’s creative expression, and the intensity of their relationships, this work from Jones shows off her range and insight into the vicissitudes of all human nature—rewarding longtime fans and bringing her talent to a new generation of listeners.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
©2022 Gayl Jones (P)2022 Beacon Press批評家のレビュー
“Wows listeners with characters who are unique and appalling yet captivating.”
—AudioFile
“[A novel with] the plush scenery of a travelogue, the misshapen soul of a noir, and the anarchic spirit of a trickster tale.”
—The New Yorker
“This is a brilliant and unsparing examination of the burdens we place on friendship and marriage, the way that creative genius is misperceived as madness, the clumsy way mental health is addressed, the scourge of racism, and the alchemy of folklore and legacy bound in the secrets we hide.”
—Lauren LeBlanc, Boston Globe