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The Good People

著者: Hannah Kent
ナレーター: Caroline Lennon
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あらすじ・解説

County Kerry, Ireland, 1825.

Nóra, bereft after the sudden death of her beloved husband, finds herself alone and caring for her young grandson, Micheál. Micheál cannot speak and cannot walk, and Nóra is desperate to know what is wrong with him. What happened to the healthy, happy grandson she had met when her daughter was still alive?

Mary arrives in the valley to help Nóra just as the whispers are spreading: the stories of unexplained misfortunes, of illnesses, and the rumours that Micheál is a changeling child who is bringing bad luck to the valley.

Nance's knowledge keeps her apart. To the new priest she is a threat, but to the valley people she is a wanderer, a healer. Nance knows how to use the plants and berries of the woodland; she understands the magic in the old ways. And she might be able to help Micheál.

As these three women are drawn together in the hope of restoring Micheál, their world of folklore and belief, of ritual and stories, tightens around them. It will lead them down a dangerous path and force them to question everything they have ever known.

Based on true events and set in a lost world bound by its own laws, The Good People is Hannah Kent's startling new novel about absolute belief and devoted love. Terrifying, thrilling and moving in equal measure, this long-awaited follow-up to Burial Rites shows an author at the height of her powers.

©2017 Hannah Kent (P)2017 Pan Macmillan Publishers Ltd.

批評家のレビュー

Lyrical and unsettling, The Good People is a vivid account of the contradictions of life in rural Ireland in the 19th century. A literary novel with the pace and tension of a thriller, Hannah Kent takes us on a frightening journey towards an unspeakable tragedy. I am in awe of Kent's gifts as a storyteller. (Paula Hawkins, bestselling author of The Girl on the Train)
The Good People is, like Burial Rites, a thoroughly engrossing entrée into the macabre nature of a vanished society, its virtues and its follies and its lethal impulses. The Good People takes us straight to a place utterly unexpected and believable, where amidst the earnest mayhem people impose on each other, there is no patronizing quaintness, but a compelling sense of the inevitability of solemn horrors (Thomas Keneally, author of Schindler's Ark (winner of the Booker Prize))
Beautiful . . . the setting and the characters drew me in immediately and kept me completely absorbed (Claire King, author of The Night Rainbow)

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