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The House Across the Lake
- A Novel
- ナレーター: Bernadette Dunne
- 再生時間: 11 時間 3 分
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あらすじ・解説
THE INSTANT NEW YORK TIMES BESTSELLER
Named a most-anticipated summer book by USA Today, People, E! News, Cosmopolitan, PureWow, CNN.com, New York Post, CrimeReads, POPSUGAR, and more
The bestselling author of Final Girls and Survive the Night is back with his “best plot twist yet.” (People, "Best Summer Books")
Be careful what you watch for . . .
Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of bourbon, she passes the time watching Tom and Katherine Royce, the glamorous couple living in the house across the lake. They make for good viewing—a tech innovator, Tom is powerful; and a former model, Katherine is gorgeous.
One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage isn’t as perfect as it appears. When Katherine suddenly vanishes, Casey immediately suspects Tom of foul play. What she doesn’t realize is that there’s more to the story than meets the eye—and that shocking secrets can lurk beneath the most placid of surfaces.
Packed with sharp characters, psychological suspense, and gasp-worthy plot twists, Riley Sager’s The House Across the Lake is the ultimate escapist story . . . no lake house required.
批評家のレビュー
“Pure escape . . . A voyeuristic page-turner. After I read it, I dove for more Sager: luckily he has five others, bestsellers all.”—The Boston Globe, “Ten Thrillers to Read on Your Summer Vacation”
“The tale takes a series of weird turns, morphing into a cross between Silence of the Lambs and The Exorcist. . . . As with Sager’s first five thrillers, the characters are well drawn and the prose is first rate."—Associated Press
“It's a familiar psychological thriller structure--until everything changes. . . . A page-turning climax.”—USA Today