『The Other Side of the River』のカバーアート

The Other Side of the River

A Story of Two Towns, a Death, and America's Dilemma

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The Other Side of the River

著者: Alex Kotlowitz
ナレーター: Stanley Tucci
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Alex Kotlowitz's There Are No Children Here was more than a best seller; it was a national event. His beautifully narrated, heartbreaking nonfiction account of two black boys struggling to grow up in a Chicago public housing complex spent eight weeks on The New York Times best seller list, was a made-for-television movie starring and produced by Oprah Winfrey, won many distinguished awards, and sparked a continuing national debate on the lives of inner-city children.

In The Other Side of the River, his eagerly awaited new book, Kotlowitz takes us to southern Michigan. Here, separated by the St. Joseph River, are two towns, St. Joseph and Benton Harbor. Geographically close, they are worlds apart, a living metaphor for America's racial divisions: St. Joseph is a prosperous lakeshore community and 95 percent white, while Benton Harbor is impoverished and 92 percent black. When the body of a black teenaged boy from Benton Harbor is found in the river, unhealed wounds and suspicions between the two towns' populations surface as well. The investigation into the young man's death becomes, inevitably, a screen on which each town projects their resentments and fears.

The Other Side of the River sensitively portrays the lives and hopes of the towns' citizens as they wrestle with this mystery - and reveals the attitudes and misperceptions that undermine race relations throughout America. In this gripping and ultimately profound book, Alex Kotlowitz proves why he is one of this country's foremost writers on the ever explosive issue of race.

©1998 Alex Kotlowitz (P)1998 Bantam Doubleday Dell Audio Publishing, Bantam Doubleday Dell, A Division of Random House, Inc.
人種差別・差別 州政府・自治体 殺人 社会理論

批評家のレビュー

"A riveting portrait of a racially troubled America in the 1990's." (Publishers Weekly)
"A vivid American microcosm, a telling tableau of the way we are." (The New York Times)

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