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The Perfect Nanny

著者: Sam Taylor, Leïla Slimani
ナレーター: Finty Williams
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あらすじ・解説

*Soon to be an HBO series starring Nicole Kidman and Maya Erskine*

She has the keys to their apartment. She knows everything. She has embedded herself so deeply in their lives that it now seems impossible to remove her.

One of the 10 BEST BOOKS OF THE YEAR of The New York Times Book Review, by the author of Adèle, Sex and Lies, and In the Country of Others

“A great novel . . . Incredibly engaging and disturbing . . . Slimani has us in her thrall.”—Roxane Gay, New York Times bestselling author of Bad Feminist and Hunger

“One of the most important books of the year. You can’t unread it.”—Barrie Hardymon, NPR’s Weekend Edition

When Myriam decides to return to work as a lawyer after having children, she and her husband look for the perfect nanny for their son and daughter. They never dreamed they would find Louise: a quiet, polite, devoted woman who sings to the children, cleans the family’s chic Paris apartment, stays late without complaint, and hosts enviable kiddie parties. But as the couple and the nanny become more dependent on one another, jealousy, resentment, and suspicions mount, shattering the idyllic tableau. Building tension with every moment, The Perfect Nanny is a compulsive, riveting, bravely observed exploration of power, class, race, domesticity, motherhood, and madness—and the American debut of an immensely talented writer.

©2019 Leila Slimani (P)2019 Penguin Audio

批評家のレビュー

A Best Book of the Year:

The New York Times Book Review

The Boston Globe

Real Simple

Lit Hub

Entertainment Weekly (honorable mention)

Finalist for the Los Angeles Times Book Prize for Mystery/Thriller

Finalist for the Edgar Award for Best Paperback Original

“Deliciously twisty . . . Slimani's exploration of race and class is razor-sharp and brilliantly provides the fuel for a hair-raising tale of domestic horror.”—Entertainment Weekly

“The first ‘hot’ novel of 2018 . . . Talk about a guilty pleasure.”—The Washington Post

“I've thought about [it] pretty much every day. . . . [It] felt less like an entertainment, or even a work of art, than like a compulsion. I found it extraordinary.”—Lauren Collins, The New Yorker

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