The Testaments
The Sequel to The Handmaid's Tale
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著者:
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Margaret Atwood
このコンテンツについて
Number one New York Times best seller
Winner of the Booker Prize
The Testaments is a modern masterpiece, a powerful novel that can be enjoyed on its own or as a companion to Margaret Atwood’s classic, The Handmaid’s Tale.
More than 15 years after the events of The Handmaid's Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results.
Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third: Aunt Lydia. Her complex past and uncertain future unfold in surprising and pivotal ways.
With The Testaments, Margaret Atwood opens up the innermost workings of Gilead, as each woman is forced to come to terms with who she is, and how far she will go for what she believes.
©2019 Margaret Atwood (P)2019 Random House Audio批評家のレビュー
"Narrator Ann Dowd, known for her role on the television adaptation, is formidable as Aunt Lydia. Hearing her resonant narration of diary entries allows listeners to feel the horror of early Gilead, be disturbed by the aunt's complicity, and discover her secrets. Bryce Dallas Howard's sweet narration of the Transcript of Witness Testimony 369A provides a window onto the extreme restrictions of girlhood in Gilead. Mae Whitman's snarky rendition of Witness 369B's testimony reflects a privileged youth in Canada, where she unwittingly triggers dramatic changes. Listening adds an entirely new dimension to a riveting tale. Atwood narrates section headings and her note, and Tantoo Cardinal and Derek Jacobi nail the scholarly conclusion." (AudioFile Magazine)
“A chilling invitation no Atwood fan can resist...The Testaments reminds us of the power of truth in the face of evil.” (People)
“Margaret Atwood’s powers are on full display.... Everyone should read The Testaments.” (Los Angeles Times)