『Woman I Was Not Born to Be』のカバーアート

Woman I Was Not Born to Be

A Transsexual Journey

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Woman I Was Not Born to Be

著者: Aleshia Brevard
ナレーター: Emily Beresford
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Told with humor and flair, this is the autobiography of one transsexual's wild ride from boyhood as Alfred Brevard ("Buddy") Crenshaw in rural Tennessee to voluptuous female entertainer in Hollywood. Aleshia Brevard, as she is now known, underwent transitional surgery in Los Angeles in 1962, one of the first such operations in the United States. (The famous sexual surgery pioneer Harry Benjamin himself broke the news to Brevard's parents.) Under the stage name Lee Shaw, Brevard worked as a drag queen at Finocchio's, a San Francisco club, doing Marilyn Monroe impersonations. (Like Marilyn, she sought romance all the time and had a string of entanglements with men.) Later, she worked as a stripper in Reno and as a Playboy Bunny at the Sunset Strip hutch. After playing opposite Don Knotts in the movie The Love God, Brevard appeared in other films and broke into TV as a regular on the Red Skelton Show. She created the role of Tex on the daytime soap opera One Life To Live. As a woman, Brevard returned to teach theater at East Tennessee State, the same university she had attended as a boy. This memoir is a rare pre-women's movement account of coming to terms with gender identity. Brevard writes frankly about the degree to which she organized her life around pleasing men, and how absurd it all seems to her now. Aleshia Brevard continues to be active in theater as an actress and director.

©2001 Aleshia Brevard (P)2016 Redwood Audiobooks
ジェンダー研究 俳優 女性 社会学

批評家のレビュー

"This is a beautiful book, written with a glittering charm and humor and wisdom." (Jonathan Ames, author of The Extra Man)

Audible制作部より

"Brevard's story adds an entertaining curve to the growing body of literature-academic scientific, theoretical and literary-on transgendered experience, without the self-pity or sentimentality found in many such memoirs....Written in a gossipy style reminiscent of 1950's movie-star autobiographies (which at heart, it is)." ( Publishers Weekly)

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