• #04_Simone Young - Conductor_Short Edition

  • 2018/02/08
  • 再生時間： 8 分
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#04_Simone Young - Conductor_Short Edition

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    There have been many highlights in Simone Young's career. Alongside conducting most of the world’s great orchestras including the London and New York Philharmonic Orchestras, the City of Birmingham Symphony, and the BBC Symphony at the BBC Proms, she was also the first woman to conduct at the Vienna State Opera and the Vienna Philharmonic, two orchestras she regularly returns to conduct today. In 1983, at just 22, Simone Young had already joined the staff of Opera Australia. She studied at Sydney’s Conservatorium of Music prior to taking up her position with AO where she worked as a répétiteur, the title given to the person responsible for coaching singers and playing the piano for music and production rehearsals. By 1986, the young Sydneyite was conducting at the Sydney Opera House and appointed a resident conductor with Opera Australia. Among her mentors were Australian musician luminaries, the likes of conductors Charles Mackerras, Richard Bonynge and Stuart Challender.
    In the late 1980s, Simone and her husband moved to Germany, where she took up a position assisting James Conlon, the conductor at the Cologne Opera. This led to further engagements, including working alongside the legendary Daniel Barenboim at the Berlin State Opera and the Bayreuth Festival. In 1998 she was appointed principal conductor of the Bergen Philharmonic Orchestra in Norway.
    But Australia was never far from her sights. In 2000, Simone was given what she terms one of the greatest honours of her career, when she conducted the national anthem at the 2000 Olympic Games in Sydney. Not long afterwards, she returned to take up the position of Music Director with Opera Australia, but despite these three years being an artistically rewarding period, they were turbulent years in her career. “It became obvious that I was not going to have the support that had been indicated at the start of my time that would be there,” she confided. “Then it became obvious that our ways were going to part, but the way it all happened was completely unnecessary. Deeply destructive for the company, very hurtful for me personally at the time but, once again, I focused all my energies on just doing the work,”In 2005 Simone returned to Europe to direct one of the Germany’s major opera houses, the Hamburg State Opera, and as chief conductor of the city’s philharmonic orchestra, positions she held until 2015.Among her recordings are the symphonies of Anton Bruckner, Richard Wagner’s Ring Cycle and the complete Brahms symphonies.
    Simone has also been a great mentor for a number of Australian conductors and singers. She sa

    For more episodes of Tall Poppies: The Podcast, highlighting remarkable Australians making waves globally, visit https://www.tall-poppies.com/.
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There have been many highlights in Simone Young's career. Alongside conducting most of the world’s great orchestras including the London and New York Philharmonic Orchestras, the City of Birmingham Symphony, and the BBC Symphony at the BBC Proms, she was also the first woman to conduct at the Vienna State Opera and the Vienna Philharmonic, two orchestras she regularly returns to conduct today. In 1983, at just 22, Simone Young had already joined the staff of Opera Australia. She studied at Sydney’s Conservatorium of Music prior to taking up her position with AO where she worked as a répétiteur, the title given to the person responsible for coaching singers and playing the piano for music and production rehearsals. By 1986, the young Sydneyite was conducting at the Sydney Opera House and appointed a resident conductor with Opera Australia. Among her mentors were Australian musician luminaries, the likes of conductors Charles Mackerras, Richard Bonynge and Stuart Challender.
In the late 1980s, Simone and her husband moved to Germany, where she took up a position assisting James Conlon, the conductor at the Cologne Opera. This led to further engagements, including working alongside the legendary Daniel Barenboim at the Berlin State Opera and the Bayreuth Festival. In 1998 she was appointed principal conductor of the Bergen Philharmonic Orchestra in Norway.
But Australia was never far from her sights. In 2000, Simone was given what she terms one of the greatest honours of her career, when she conducted the national anthem at the 2000 Olympic Games in Sydney. Not long afterwards, she returned to take up the position of Music Director with Opera Australia, but despite these three years being an artistically rewarding period, they were turbulent years in her career. “It became obvious that I was not going to have the support that had been indicated at the start of my time that would be there,” she confided. “Then it became obvious that our ways were going to part, but the way it all happened was completely unnecessary. Deeply destructive for the company, very hurtful for me personally at the time but, once again, I focused all my energies on just doing the work,”In 2005 Simone returned to Europe to direct one of the Germany’s major opera houses, the Hamburg State Opera, and as chief conductor of the city’s philharmonic orchestra, positions she held until 2015.Among her recordings are the symphonies of Anton Bruckner, Richard Wagner’s Ring Cycle and the complete Brahms symphonies.
Simone has also been a great mentor for a number of Australian conductors and singers. She sa

For more episodes of Tall Poppies: The Podcast, highlighting remarkable Australians making waves globally, visit https://www.tall-poppies.com/.
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