An Englishman checks in at a small mountain inn in Switzerland and immediately discovers a beautiful young lady who happens to be the daughter of the proprietor. He has no idea that his presence is ruining the plans of another young man, an Italian, who owns a sharp knife and a vile temper.

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Mundon Mandeville runs a thoroughly disliked repertoire theater company and is murdered inside a windowless room in the building although everyone involved has an alibi.

Father Brown is a fictional Roman Catholic priest and amateur detective. He is featured in 53 short stories by English author G. K. Chesterton, published between 1910 and 1936. Father Brown solves mysteries and crimes using his intuition and keen understanding of human nature. Chesterton loosely based him on the Rt Rev. Msgr John O'Connor (1870–1952), a parish priest in Bradford, who was involved in Chesterton's conversion to Catholicism in 1922.[ Since 2013, the character has been portrayed by Mark Williams in the ongoing BBC television series Father Brown.

Character

Father Brown on a case, illustrated by Sydney Seymour Lucas for The Innocence of Father Brown
Father Brown is a short, plain Roman Catholic priest, with shapeless clothes, a large umbrella, and an uncanny insight into human behaviour. His unremarkable, seemingly naïve appearance hides an unexpectedly sharp intelligence and keen powers of observation. Brown uses his unimposing demeanour to his advantage when studying criminals, to whom he seems to pose no danger, making him a precursor, in some ways, to Agatha Christie's later detective character Miss Marple. His job as a priest allows him to blend into the background of a crime scene, as others can easily assume he is merely there on spiritual business.

Catch all our Father Brown stories in one place at www.bestof1001stories.com- see "episodes-categories-Father Brown

The story was written as a sequel to “The Ice Palace,” and Clark Darrow appears in both. The omniscient narrator, who ensures that close observation is paid to Powell’s story, draws in the reader. The opening line – “Jim Powell was a Jelly-bean”- labels the protagonist immediately, and as a character he remains within the stereotype Fitzgerald indicates, though he almost manages to break free.

The history of Powell’s life presents a tale of a family fallen on hard times. Powell is humiliated by the whisperings of the social set and chooses notoriety over civility. He fights for his country aged eighteen and returns at twenty-one with ill-fitting, unfashionable clothes which symbolize how he does not “fit” in society.

Powell contrasts with the attractive and dynamic Clark Darrow. He is unsure of whether to go to the party Darrow invites him to, but Nancy Lamar, with her “mouth like a remembered kiss,” entrances him. The simile is a romantic one, as although Powell has always known Nancy, she has never been attainable to him.

Its a small town story with all its class divides and Fitzgerald builds some very believable caracters around which his story evolves.