• #537 - Robin Campillo on Red Island

  • 2024/08/10
  • 再生時間： 33 分
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#537 - Robin Campillo on Red Island

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  • This week we’re excited to present a conversation with Red Island director Robin Campillo from the 2024 edition of Rendez-Vous with French Cinema. Rendez-Vous and NYFF veteran Robin Campillo, whose 2017 period drama BPM: Beats Per Minute reconstructed and celebrated ACT UP’s legacy of AIDS activism in France during the 1990s, once again draws on personal history with his latest film, reaching back further to evoke a sumptuously visualized 1970s childhood spent with his military family on Madagascar. Growing up on one of the last remaining French colonial bases on the island, young Thomas (Charlie Vauselle) keeps a curious and observant eye on the adults around him, not least his parents (Nadia Tereszkiewicz and Quim Guterriez). Bonding with young Suzanne (Cathy Pham) over the Fantômette comic books, Thomas’s imagination and observational powers grow even as the world around him is about to die. Making striking use of a child’s perspective, Campillo’s carefully observed drama of a lost world is lyrical and clear-eyed in equal measure. This conversation was moderated by FLC Vice President of Programming Florence Almozini.
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This week we’re excited to present a conversation with Red Island director Robin Campillo from the 2024 edition of Rendez-Vous with French Cinema. Rendez-Vous and NYFF veteran Robin Campillo, whose 2017 period drama BPM: Beats Per Minute reconstructed and celebrated ACT UP’s legacy of AIDS activism in France during the 1990s, once again draws on personal history with his latest film, reaching back further to evoke a sumptuously visualized 1970s childhood spent with his military family on Madagascar. Growing up on one of the last remaining French colonial bases on the island, young Thomas (Charlie Vauselle) keeps a curious and observant eye on the adults around him, not least his parents (Nadia Tereszkiewicz and Quim Guterriez). Bonding with young Suzanne (Cathy Pham) over the Fantômette comic books, Thomas’s imagination and observational powers grow even as the world around him is about to die. Making striking use of a child’s perspective, Campillo’s carefully observed drama of a lost world is lyrical and clear-eyed in equal measure. This conversation was moderated by FLC Vice President of Programming Florence Almozini.
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