0:50 - Were you an artist first or were you always a producer? Tell us your journey.

3:12 - How did you get your technical prowess to where it’s at?

4:44 - As a producer, what draws you to an artist that you want to work with?

8:31 - How do you recharge/keep yourself fresh as a writer and producer?

10:57 - What are some of the current challenges you’re facing?

11:58 - What are some artists that you’re currently working with?

15:38 - As a producer, what is it like for you to lay the “sonic foundation” on a new song you’re working on?

The AIMP Nashville Pubcast is a DiMe Collective Production

0:50 - What are the first few things you discuss with a new songwriter when you decide to work with them?

8:18 - Advances - what are the current ranges for new deals?

17:42 - Surrounding yourself with the right people in order to grow

The AIMP Nashville Pubcast is a DiMe Collective Production

0:50 - What does a typical influencer campaign look like? How does it begin?

3:35 - What are some basic things artists can do to build out their social media?

7:38 - Eyes vs. Engagement: Is one more important than the other?

14:10 - What are some key components of a successful campaign?

The AIMP Nashville Pubcast is a DiMe Collective Production

1:02 - What is your daily routine generally like?

5:08 - How do you deal with promoting a song that you’re not necessarily in love with? Are you able to pitch something that you don’t connect with at a deeper level?

11:18 - Is the radio promotion space collaborative or is it mostly competition?

The AIMP Nashville Pubcast is a DiMe Collective Production

0:40 - Give us a quick summary of the indie label landscape? What do they offer that may be different from the traditional models?

04:28 - If I’m an independent artist, what do you as an indie label need/expect from me?

07:21 - At what level of artist are you and your team looking for? Is there a metric?

12:57 - Can you identify the key benefits of artists who choose indie models over some of the major models?

The AIMP Nashville Pubcast is a DiMe Collective Production

0:50 - Discuss how the writing room and the process of rewriting songs has changed over the years and how do you approach it?

6:17 - How do you find your role within a writing room? How do you deal with conflict?

12:00 - What are some of the challenges you face within the writing room?

16:49 - How have you been adjusting to this era where the standards of working with newer songwriters lessened?

The AIMP Nashville Pubcast is a DiMe Collective Production

4:13 - What was your plan/strategy to build Position Music?

7:00 - If I’m an artist, how can I get my foot in the door with sync?

10:30 - What is it about the company that has made it so successful?

The AIMP Nashville Pubcast is a DiMe Collective Production

4:36 - Explain the skillset that’s needed to start in the sync business

8:37 - Any advice on what a newcomer could do to be ahead of the game?

16:20 - Music supervisors are generally looking for music that’s “easily cleared,” can you explain what that means?

18:36 - Talk to us about Version LLC and The Sync Room. How can people sign up?

The AIMP Nashville Pubcast is a DiMe Collective Production