Our Gloria Grahame Acteurist Oeuvre-view continues with A Woman's Secret (1949), an oddball psychological drama with a screenplay by Citizen Kane writer Herman J. Mankiewicz and directed by Grahame's new husband Nicholas Ray; and Roughshod (1949), a consciously feminist Western written by a bunch of leftists. Proving her versatility-within-typecasting yet again, Grahame moves easily from the unlikely comic centre of a noirish vortex to a sympathetic sex worker in a fallen woman melodrama that uses the Western genre to deconstruct masculinity. (And if that makes it sound dull, it's also incredibly dark at moments, with John Ireland raising the tension as a nasty villain.) And in our Fear and Moviegoing in Toronto segment, we talk about Rear Window, voyeurism, movie-watching, and scapegoats.

Time Codes:

0h 00m 25s: A WOMAN’S SECRET (1949) [dir. Nicholas Ray]

0h 27m 30s: ROUGHSHOD (1949) [dir. Mark Robson]

0h 43m 52s: Fear & Moviegoing in Toronto – Alfred Hitchcock’s Rear Window (1954) at The Revue Cinema

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* Listen to our guest episode on The Criterion Project – a discussion of Late Spring

* Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s

* Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive)

* Read Elise’s piece on Gangs of New York – “Making America Strange Again”

* Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!

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