• Chapter 08 Summary : Shall We Dance - Theoretical Framework of Bharatanatyam

  • 2024/08/19
  • 再生時間: 6 分
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Chapter 08 Summary : Shall We Dance - Theoretical Framework of Bharatanatyam

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  • Narrated by Shantha Lakshmi

    Chapter 8 of Shall We Dance explores the theoretical framework of Bharatanatyam, emphasizing the importance of understanding fundamental elements such as space, time, force, body, and form. These elements are crucial for mastering the art of Bharatanatyam, as outlined in A.G. Gilbert's Brain-Compatible Dance Education.

    The chapter delves into the Natya Shastra, an ancient Indian text attributed to Sage Bharata Muni, which serves as the primary guide for Bharatanatyam, covering drama, music, dance, and gestures.

    Key concepts include Adavus (basic dance units), Hastas (hand gestures), Abhinaya (expression), Nritta (pure dance), Nritya (expressive dance), and Natya (storytelling through dance). The chapter also discusses the traditions within Bharatanatyam, such as the Margi tradition, which adheres to classical practices, and the Desi tradition, which incorporates regional and folk elements.

    The chapter underscores the significance of these theoretical principles in preserving Bharatanatyam’s cultural heritage and enabling dancers to convey its profound beauty and cultural essence.

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あらすじ・解説

Narrated by Shantha Lakshmi

Chapter 8 of Shall We Dance explores the theoretical framework of Bharatanatyam, emphasizing the importance of understanding fundamental elements such as space, time, force, body, and form. These elements are crucial for mastering the art of Bharatanatyam, as outlined in A.G. Gilbert's Brain-Compatible Dance Education.

The chapter delves into the Natya Shastra, an ancient Indian text attributed to Sage Bharata Muni, which serves as the primary guide for Bharatanatyam, covering drama, music, dance, and gestures.

Key concepts include Adavus (basic dance units), Hastas (hand gestures), Abhinaya (expression), Nritta (pure dance), Nritya (expressive dance), and Natya (storytelling through dance). The chapter also discusses the traditions within Bharatanatyam, such as the Margi tradition, which adheres to classical practices, and the Desi tradition, which incorporates regional and folk elements.

The chapter underscores the significance of these theoretical principles in preserving Bharatanatyam’s cultural heritage and enabling dancers to convey its profound beauty and cultural essence.

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