Welcome to Episode 10 of the CROSSED CHANNELS podcast, in which music journalists/obsessives Dan Epstein (the Yank) and Tony Fletcher (the Brit) clash and connect over music from either side of the pond.

This time out, we taken on of the greatest rock n’ roll bands to ever demolish a stage: the MC5!

Formed in the mid-1960s in the suburbs of Detroit, Michi…

Welcome to Episode 9 of the CROSSED CHANNELS podcast, in which music journalists/obsessives Dan Epstein (the Yank) and Tony Fletcher (the Brit) clash and connect over music from either side of the pond.

Elton John calls her "a most beautiful mystery.” Tricky notes how “you can’t hear her influences.” And yet, as St. Vincent observes, “You can hear one no…

Welcome to Episode 8 of the CROSSED CHANNELS podcast, in which two music journalists/obsessives, Dan Epstein (the Yank) and Tony Fletcher (the Brit) clash and connect over music from either side of the pond.

In our last episode, we took a deep dive into The Clash’s controversial 1980 album Sandinista!, and attempted to whittle down its sprawling three LPs into a 12-track single album. Just as the three Clash albums that preceded Sandinista! have tended to loom the largest in that band’s legacy, so too is the case with today’s subject: Love, the groundbreaking, genre-blending American band led by the brilliant and mercurial Arthur Lee.

For decades, Love has been (rightly) celebrated for their phenomenal 1967 album Forever Changes — a record which regularly appears near the top of “Greatest Psychedelic Albums of All Time” lists, and sometimes “Greatest Albums of All Time, Period” lists, too — as well as their half-great 1966 pop-jazz-psych LP Da Capo and their self-titled folk-punk debut from earlier that same year.

But there is far more to Arthur Lee and Love’s discography than those first three albums and their non-LP 1968 single “Your Mind and We Belong Together,” which was the last thing Lee cut with Love’s “classic lineup”. 1969’s Four Sail was ignored or denigrated by music critics for decades, simply because it featured an almost entirely new Love lineup, and because its acid-rock sound was such a radical departure from the pastoral soft-psych of Forever Changes.

And yet, Four Sail contains some of Lee’s finest songs — and there are even some days where Dan actually prefers this underrated album to anything else in the Love catalog, Forever Changes included. Will Dan convince him of that album’s enduring brilliance, or will it all be a bit too “West Coast hippie” for his punk rock liking? Tune in to the latest episode of CROSSED CHANNELS to find out!

A free preview of Episode 8 is available to all listeners, but the full episodes of CROSSED CHANNELS are only available to paid subscribers of Jagged Time Lapse https://danepstein.substack.com/ or Tony Fletcher, Wordsmith. https://tonyfletcher.substack.com/ If you’re already a free subscriber to either of these Substacks (or better yet, both), upgrade your subscription now to hear the whole thing, as well as all our previous episodes. As always, we are immensely grateful for your encouragement and support! Cheers!