Dogs Are Smarter Than People: Writing Life, Marriage and Motivation

著者: Carrie Jones and Shaun Farrar
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  • Join an internationally bestselling children's book author and her down-home husband and their dogs as they try to live a happy, better life by being happier, better people . You can use those skills in writing and vice versa. But we’re not perfect, just like our podcast. We’re cool with that.
    © 2018 Carrie Jones Books
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  • Tick…Tick…Tick…Using Time to Make a Hit Novel
    2024/09/18

    So, last week was Shaun’s birthday. Yay, Shaun!

    We’ve started a series of paid and free posts about writing bestsellers. Our first post about this is here.

    And today, we’re talking about a main element in writing a hit novel. Some people call it The Big Clock. Some people call it a Ticking Clock. Some people call it The Timer. Dramatic theory is fancy and calls it a Timelock, but basically, it’s the ticking bomb, a known and harsh deadline that your character has before it all explodes in her face.

    Glen C. Strathy explains, “The technique is to give the protagonist a set amount of time by which to achieve the Story Goal or else suffer the consequence. Generally, you create tension by not allowing your protagonist to achieve the goal until the very last second (which is also the crisis of the story). We call this type of limit a ticking clock.”

    So, examples might be:

    1. You only have until 4 p.m. to get the antidote to your zombie hamster Ham-Hammy-Ham-Ham before he is a zombie forever.
    2. An evil group of cheese-loving bunnies will eat ALL THE CHEESE IN THE WORLD if they don’t receive 3,000 pounds of gouda by nightfall.
    3. A puppy-nado is coming in three hours and you have to evacuate the town of Bar Harbor before then. WILL YOU MAKE IT IN TIME? Actually, do you want to?

    Strathy also calls this “an excellent way to keep your plot under control. For instance, if you give your characters a 24-hour ticking clock, you know all the events of your story must take place within that timeframe.”

    It’s a way to keep your plot from going all wild and willy-nilly.

    Cool, right?

    James W. Hall calls it an “ever moving second hand” that “raises the anxiety level.”

    DOG TIP FOR LIFE

    Dogs use the time element constantly. Whining and returning to your goal, always upping the want and stakes help.

    PLACE TO SUBMIT

    INSTANT NOODLES!

    Holiday Issue (V4 I3): Holiday Noods

    HOLIDAY NOODS is our 2024 winter holiday theme. Give us your best holiday fails (any December holiday, from Hannukah, to Solstice, to NYE, etc.) or your best funny work about noodles that happens to ALSO be holiday-themed in some way. The point of the end-of-year issue is always to be light-hearted to downright silly.

    Submissions close OCTOBER 15, 2024 and the issue publishes DECEMBER 1, 2024.

    INSTANT NOODLES IS CURATED BY THE MEMBERS OF THE OLD SCRATCH PRESS COLLECTIVE

    Submission link is here.

    COOL WRITING EXERCISE: THE STATUS QUO

    What is the status quo as your novel starts?

    Got it?

    What changes it?

    RANDOM THOUGHT LINK

    Got it from here.

    SHOUT OUT!

    The music we’ve clipped and shortened in this podcast is awesome and is made available through t

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    13 分
  • The Absolutely Simplest Plot Structure Ever
    2024/09/04

    A lot of the writers I teach get really freaked out about structure. They go on multiple craft book journeys trying to find the structure that resonates with them, the one that gives them that beautiful a-ha moment. Who can blame them?

    Don't we all want that beautiful a-ha moment?

    They learn about pinch points, rising action, falling action, subplots, inciting incidents, midpoints, themes, narrative arc, emotional arc, hamster zombies (just kidding) and they hyperventilate along the way.

    There is no reason to hyperventilate if this way of looking at writing structure doesn’t work for your brain. You can simplify it a lot with no zombie hamsters involved.

    Ready?

    Here is the simplest structure choice.

    • You have a character.
    • Your character has a problem. Let everyone reading know she has a problem.
    • How will she solve it?
    • Make her try to solve it.
    • Make her fail.
    • Make her try to solve it again.
    • Make her fail again.
    • Do this until near the end (¾'s in) and make everything seem absolutely hopeless.
    • Let her solve the damn problem.
    • Let her rejoice.

    How many times should she try?

    In our Western culture, we like the number three for some reason. I'm personally more of a fan of the number four. But we authors tend to give the main character three big attempts to solve her issue before we let her succeed. We're mean like that.

    Make it tougher

    We call this the rising action, but basically it means that each time she tries to fix things, it should be harder, there should be more at risk, she should be more desperate and emotionally invested. We, the readers, should also be more invested as it goes along.

    When the attempt fails, the tension gets a bit mellower until it rises again even higher for the second and third attempts. It becomes a pattern.

    That's It - The Simplest Plot Structure Ever

    Really. It's a pretty simple plot structure but it works. No, I didn't mention inciting incidents and midpoints and other things, because this is the simple plot structure. Key word: simple.

    But, don't forget that even with the simplest of plot structures, the point of the story is to have it make sense. When your character does something, let there be consequences that logically move us to the next part of the story. Remember cause and effect? That's important to us writers.

    DOG TIP FOR LIFE

    Pogie says to just keep trying.

    PLACE TO SUBMIT

    Shenandoah. Genre: Fiction. Payment: $80 per 1000 words of prose up to $400. Deadline: Opens September 10, 2024, and closes when they reach capacity.

    The Last Line. Genre: Fiction that ends with the last line provided. Payment: $20-$40. Deadline: October 1, 2024.

    COOL WRITING EXERCISE

    This is via Reedsy:

    The Outsider

    “If you're working on a novel or short story, write a pivotal scene from an outside observer's perspective who has no role in the story.

    HELP US AND DO AN AWESOME GOOD DEED

    Thanks to all of you who keep listening to our weirdness on the DOGS ARE SMARTER THAN PEOPLE podcast as we talk about random thoughts, writing a

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    13 分
  • Show, Don't Tell, Baby Face Cutie Pie Cutie
    2024/08/28

    We talked about this a long while ago, and I've revisited it, too, but it's time, my writing friends, to revisit it.

    So in writing one of the biggest tips that you start hearing starts in around third grade and it’s “SHOW DON’T TELL.”

    And it’s sound writing advice, but it’s pretty sound life advice, too.

    How many of us have heard the words, “I love you,” but never seen the actions that give proof to the words? You can tell someone you love them incessantly for hours, but if you don’t show them it, too, it’s pretty likely that the words aren’t going to rock that person’s world.

    Telling is like this:

    Shaun was a hotty.

    Showing is like this:

    Carrying four grocery bags and a kitten, biceps bulging, Shaun walked through the parking lot, approaching a couple of older men. The smaller man gawped at Shaun, staring at his chest, the kitten, the bags, the biceps.

    “Wow,” the man said, pivoting as Shaun strode by. “Just wow.”

    The man licked his lips. His partner hit him in the back of the head lightly and said, “I am right here.”

    What Does This Mean?

    Both examples illustrate that Shaun is a hotty, but one states it as fact (telling) and one elucidates with examples (description, reaction, action).

    Here’s One More Quick Example

    Telling

    The lawyer liked to use big words to impress people.

    Showing

    Carpenter stuck his thumbs into the waist of his pants, lowered his voice and said, “Pontification is one of the more mirthful and blithe aspects of the judical system.”

    IN REAL LIFE IT MATTERS TOO.

    In life, you want to show too, not just tell all the time.

    You can say, “I love you.”

    You can also grab someone’s hand and say, “I love you.”

    You can also scoff and turn away and step on an ant and say, “I love you.”

    WRITING TIP OF THE POD

    The actions matter. Showing matters.

    DOG TIP FOR LIFE

    Showing and telling simultaneously in life (not writing) works to get treats.

    Random THought Link

    It's right here.

    SHOUT OUT!

    The music we’ve clipped and shortened in this podcast is awesome and is made available through the Creative Commons License.

    Here’s a link to that and the artist’s website. Who is this artist and what is this song? It’s “Summer Spliff” by Broke For Free.

    WE HAVE EXTRA CONTENT ALL ABOUT LIVING HAPPY OVER HERE! It’s pretty awesome.

    We have a podcast, LOVING THE STRANGE, which we stream biweekly live on Carrie’s Facebook and Twitter and YouTube on Fridays. Her Facebook and Twitter handles are all carriejonesbooks or carriejonesbook. But she also has extra cool content focused on writing tips here.

    Carrie is reading one of her raw poems every once in awhile on CARRIE DOES POEMS. And there you go! Whew! That’s a lot!

    Type your email…

    Subscribe

    HELP US AND DO AN AWESOME GOOD DEED

    Thanks to all of you who keep listening to our weirdness on the

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    14 分

あらすじ・解説

Join an internationally bestselling children's book author and her down-home husband and their dogs as they try to live a happy, better life by being happier, better people . You can use those skills in writing and vice versa. But we’re not perfect, just like our podcast. We’re cool with that.
© 2018 Carrie Jones Books

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