-
サマリー
あらすじ・解説
Erykah Badu, born Erica Abi Wright on February 26, 1971, in Dallas, Texas, is a trailblazing artist who brought a unique voice to the neo-soul genre. Raised in a creative household, Badu grew up immersed in the arts and later attended Booker T. Washington High School for the Performing and Visual Arts. Her brief college years at Grambling State University gave way to a full-time career in music. Adopting the name Erykah Badu to mark her spiritual journey, she began cultivating a style that fused hip-hop, soul, jazz, and R&B with deeply introspective and socially aware lyrics. Her big break came when she was discovered by producer Kedar Massenburg, who signed her to Universal Records in the mid-1990s. In 1997, she released her debut album, Baduizm, which earned her international acclaim, including Grammy Awards and comparisons to Billie Holiday. Songs like “On & On” showcased her captivating vocal style, while lyrics delved into themes of spirituality, self-empowerment, and resilience. Baduizm became a defining work of neo-soul, solidifying Badu as one of the genre's leading figures alongside D'Angelo and Maxwell. Following Baduizm, she released a live album that included the iconic song “Tyrone,” a playful and pointed critique of relationship dynamics that has since become a signature track. At the time, Badu was in a relationship with rapper Andre 3000 of OutKast, and they share a son, Seven Sirius Benjamin, born in 1997. Though their relationship was short-lived, their connection left a lasting mark on both artists' music, with Andre paying homage to Badu in OutKast’s lyrics and Badu drawing on her experiences in later albums. In 2000, Badu released Mama’s Gun, a powerful, introspective album that delved into themes of identity, emotional baggage, and self-discovery. Collaborating with talents like Questlove of The Roots and jazz musician Roy Hargrove, Mama’s Gun showed Badu’s ability to push boundaries. The track “Bag Lady” offered a metaphorical take on releasing burdens, and “Didn’t Cha Know” conveyed her journey of self-awareness. This album remains one of the cornerstones of her discography, affirming her role as an innovator in soul music. Badu's next project, Worldwide Underground (2003), experimented with a looser, jam-session style and highlighted her love for freestyle and genre-blending. This album included “Love of My Life (An Ode to Hip-Hop),” a Grammy-winning collaboration with Common that celebrated hip-hop’s influence on their work. During this period, Badu became known for her eclectic and Afrocentric fashion, setting trends and making bold aesthetic statements that complemented her musical identity. Throughout her career, Badu has also been an outspoken activist, advocating for racial justice, poverty alleviation, and gender equality. Her lyrics often subtly address these issues, and her philanthropic work has been extensive, particularly through her nonprofit organization B.L.I.N.D. (Beautiful Love Incorporated Non-Profit Development), which supports youth and arts programs in her hometown of Dallas. She is also a devoted mother to her three children—Seven, Puma Sabti Curry (daughter with rapper The D.O.C.), and Mars Merkaba Thedford (daughter with Jay Electronica)—and maintains close ties to her community. In 2008, Badu released New Amerykah Part One (4th World War), an ambitious album that addressed social and political issues affecting Black Americans, with tracks like “The Healer” and “Soldier” exploring topics from spiritual resilience to systemic injustice. This album marked a sonic shift towards funk and hip-hop with a more experimental edge, and while it received mixed reviews, it underscored Badu’s commitment to addressing societal challenges. She followed up with New Amerykah Part Two (Return of the Ankh) in 2010, which focused more on themes of love and introspection. The album included “Window Seat,” whose video sparked controversy for its bold visual statement on vulnerability and liberation; she famously disrobed while walking through Dealey Plaza in Dallas, leading to fines but also sparking widespread discussion on body autonomy and expression. As she progressed through the 2010s, Badu continued to evolve and influence a younger generation of musicians. She collaborated with artists such as Flying Lotus and Tyler, The Creator, and mentored emerging voices like Janelle Monáe. Her ongoing relevance in the music industry reflects her adaptability and openness to new sounds and styles. In 2015, she released the mixtape But You Caint Use My Phone, an exploration of themes around digital disconnection and reconnection, blending her soulful style with trap influences and contemporary beats. Her collaboration with Andre 3000 on “Hello” brought fans full circle, showing how both artists had grown and evolved since their early relationship. Spirituality has always been central to Badu’s life, and over the years, she has...