SARAH'S BIRTHDAY EPISODE! New girl Sarah Bailey is giving peak 90s witchcore: plaid skirts, trauma, magical powers, and a deep desire to belong. But once she finds her coven, things go from light-as-a-feather to dark-as-hell. This week on Final Girls, we revisit the iconic teen witch masterpiece that made every girl want to call the corners. We explore Sarah’s natural witch power, her refusal to be manipulated, and how The Craft captured the messy magic of sisterhood, light and dark magic, and goth rebellion.

Spoiler Warning: There’s magic in these spoilers—handle with care.

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Undercover cop Judith Gray walks into a poorly planned illegal arms sting in Demonic Toys (1992) and ends up trapped in a possessed toy warehouse with a demon fetus, a satanic prophecy, and a bunch of pint-sized murder machines. This week, we salute the cheesy, bonkers brilliance of Demonic Toys and the sadly ineffective badassery of our Final Girl, who fights her way through it with a gun in one hand and a grudge in the other.

Spoiler Warning: This episode is crawling with Demonic Toys spoilers, demon babies, and cursed plushies. Proceed accordingly.

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It’s all fun and games until the bodies start dropping. In Bodies Bodies Bodies (2022), Sophie and Bee walk into a hurricane party with secrets, tension, and trauma in their overnight bags and end up in a full-blown bloodbath. This week, we break down their Final Girl stories and the messy, brilliant satire of A24’s Gen Z slasher: weaponized buzzwords, emotional manipulation, cell phone lighting, and all.

Spoiler Warning: Someone turned the lights out and the Wi-Fi’s down, so listen at your own risk.

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In Rosemary’s Baby (1968), Mia Farrow’s iconic Rosemary Woodhouse doesn’t scream, doesn’t slash, doesn’t run through the woods, but make no mistake: she’s a Final Girl. This week, we sink into the psychological horror of isolation, manipulation, and bodily autonomy as Rosemary endures the slow unraveling of her life, her sanity, and her very sense of self. We dig into the real vs. fake witchcraft and Satanism, and how Rosemary’s journey mirrors the real-world experience of so many women whose fears are dismissed until it’s far too late. And we gush over that cute pixie cut she gets halfway through the movie.

Spoiler Warning: This episode contains spoilers for Rosemary’s Baby and one very badass Satanic bassinet.

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In M3GAN (2022), Gemma isn’t just a brilliant roboticist—she’s a cautionary tale wrapped in silicone and code, the villain and Final Girl of her own story. When she takes in her orphaned niece Cady, Gemma does what any emotionally unavailable tech genius might: she outsources parenting to an AI. This week, we break down Gemma’s evolution from career-obsessed creator to reluctant protector, her role in M3GAN’s rise, and how the film critiques both grief avoidance, certain styles of parenting, AI ethics, and the capitalistic obsession with innovation at any cost.

Spoiler Warning: This episode contains M3GAN spoilers—and maybe a firmware update you didn’t agree to.

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🌟 Final Girls Double Feature (Part 2)! 🌟

Next up: Death Proof (2007)

Abernathy, Zoë, and Kim aren’t just surviving—they’re taking the wheel and fighting back. In Death Proof, Quentin Tarantino flips the Final Girl trope on its head, giving us three fearless women who don’t just escape the killer—they absolutely wreck him. This week, we break down the badassery, the brilliant stunt work, and why this trio’s friendship and fury make them some of the most satisfying Final Girls in horror history.

Spoiler Warning: Buckle up—Death Proof spoilers (and serious girl power) ahead!

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🌟 Final Girls Double Feature! 🌟

First up: Planet Terror (2007)

Cherry Darling might have started the night as a go-go dancer with a broken heart, but by the end of Planet Terror, she’s packing heat and leading the charge against a zombie outbreak. This week, we dive into Cherry’s wild, blood-soaked Final Girl arc, the sheer camp of Robert Rodriguez’s grindhouse vision, and how Rose McGowan’s performance—and later activism—turned fiction into something far more powerful. We explore how Planet Terror became part of McGowan’s real-life journey of reclaiming her power from Harvey Weinstein and how she emerged as one of the faces of the #MeToo movement.

Spoiler Warning: Things get gory fast—Planet Terror spoilers ahead!

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You can’t fight what you can’t see, unless you’ve already survived the worst. In The Invisible Man (2020), Cecilia Kass escapes an abusive relationship… only to be haunted by a presence that no one else believes exists. This week, we dive into Cecilia’s chilling Final Girl journey, unpacking how the film turns gaslighting into a literal monster, explores the differences between seeing and unseeing, and puts control and autonomy back into the hands of its heroine. We also explore the film’s unflinching portrayal of domestic abuse, isolation, and disbelief—and how Cecilia’s transformation feels real and unsettling, even from behind the safety and comfort of the screen.

Spoiler Warning: The truth is visible, especially when it comes to The Invisible Man. This episode contains spoilers. Listen at your own risk.

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