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  • Neoliberalism and the University, Part 2

    Neoliberalism and the University, Part 2
    2024/08/09
    This is the Global Media & Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our hosts, Anjali DasSarma and Sim Gill, present the second episode in a two-part series on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn. In this episode, we delve into the intricate mechanisms of capitalism, unpacking how metrics, the pressure to "publish or perish," and intellectual extraction shape the academic landscape. From the commodification of knowledge to the erosion of job security, we'll shine a light on some of the systemic forces at play in higher education. We also unpack the rhetoric surrounding Elon Musk and his impact on the age of artificial intelligence, to consider how AI tools like ChatGPT are shifting debates about teaching and student evaluation methods. Amidst these challenges, we'll also uncover the power of the ideological project of hope. Join us as we engage in a thought-provoking discussion on information, communication, and knowledge production. In this episode you will hear about: AI and job security How metrics, “publishing or perishing,” and intellectual extraction function under capitalism What the ideological project of hope offers us Community organizing, resistance, and learning Guest Biographies: Natalie Fenton: Natalie is a Professor of Media and Communications at Goldsmiths University. Alison Hearn: Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario. Host Biographies: Anjali DasSarma: Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Sim Gill: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society. Credits Interview by: Anjali DasSarma and Sim Gill Produced by: Eszter Zimanyi Edited by: Anjali DasSarma and Matt Parker Sound Mixing by: Matt Parker Music by: Zoe Zhao Blog post written by: Anjali DasSarma and Sim Gill Keywords: neoliberalism, higher education, artificial intelligence, community organizing This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    55 分
  • Neoliberalism and the University, Part 1

    Neoliberalism and the University, Part 1
    2024/08/02
    This is the Global Media & Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. Today, our hosts, Anjali DasSarma and Sim Gill, present the first of two episodes on neoliberalism and the state of the university as a deeply powerful structure, along with two incredible scholars: Professor Natalie Fenton and Professor Alison Hearn. In this episode, we explore the complex realm of neoliberalism and its profound impact on education systems in the UK, Canada, and the US. Join us as we unpack how neoliberal ideologies have transformed the very essence of the student experience. Neoliberal policies have reshaped the landscape of education, redefining relationships between students, faculty, and institutions. But what does this actually mean for the individuals learning and working within these institutions? Join us for an exciting conversation as we explore the complex and pressing issues shaping our academic worlds today. In this episode you will hear about: How Fenton and Hearn define and understand the university within neoliberalism The material working conditions of faculty, students, and other laborers across UK, Canadian, and US contexts Unionizing and what it means to work as a collective The Research Excellence Framework and Higher Education Quality Council of Ontario Capitalism and the university as a corporation Guest Biographies: Natalie Fenton: Natalie is a Professor of Media and Communications at Goldsmiths University. Alison Hearn: Alison is a professor in the Department of Information and Media Studies at the University of Western Ontario. Host Biographies: Anjali DasSarma: Anjali DasSarma is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Sim Gill: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania and a research fellow at the Center for Advanced Research in Global Communication (CARGC) and the Center on Digital Culture and Society. Credits Interview by: Anjali DasSarma and Sim Gill Produced by: Eszter Zimanyi Edited by: Anjali DasSarma and Matt Parker Sound Mixing by: Matt Parker Music by: Zoe Zhao Blog post written by: Anjali DasSarma and Sim Gill Keywords: neoliberalism, higher education, labor rights This episode was recorded on November 15th, 2023 at the Annenberg School for Communication, University of Pennsylvania. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 分
  • Bishnupriya Ghosh, "The Virus Touch: Theorizing Epidemic Media" (Duke UP, 2023)

    Bishnupriya Ghosh, "The Virus Touch: Theorizing Epidemic Media" (Duke UP, 2023)
    2024/07/26
    Welcome to the Global Media & Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. In this episode, Professor Bishnupriya Ghosh joins our host, Zehra Husain, to discuss her latest book, The Virus Touch: Theorizing Epidemic Media (Duke UP, 2023). Over the course of the interview, you’ll learn about: The origins of the book and how Ghosh became interested in the body as a material medium The importance of conceptualizing global epidemics in multiscalar ways What Ghosh means by multispecies relationality and “lively media” The distinctions between the “global” and the “planetary” Ghosh’s research process for the book and her thoughts on using an ethnographic mode The media archive Ghosh assembled while conducting research for the book How and why Ghosh conceptualizes blood as media in the book The expansive sites, scales, and temporalities that Ghosh tracks across The Virus Touch …and much more! About the book “In The Virus Touch Bishnupriya Ghosh argues that media are central to understanding emergent relations between viruses, humans, and nonhuman life. Writing in the shadow of the HIV/AIDS and COVID-19 global pandemics, Ghosh theorizes “epidemic media” to show how epidemics are mediated in images, numbers, and movements through the processes of reading test results and tracking infection and mortality rates. Scientific, artistic, and activist epidemic media that make multispecies relations sensible and manageable eschew anthropocentric survival strategies and instead recast global public health crises as biological, social, and ecological catastrophes, pushing us toward a multispecies politics of health. Ghosh trains her analytic gaze on these mediations as expressed in the collection and analysis of blood samples as a form of viral media; the geospatialization of data that track viral hosts like wild primates; and the use of multisensory images to trace fluctuations in viral mutations. Studying how epidemic media inscribe, store, and transmit multispecies relations attunes us to the anthropogenic drivers of pathogenicity like deforestation or illegal wildlife trading and the vulnerabilities accruing from diseases that arise from socioeconomic inequities and biopolitical neglect.” Learn more about the book on the publisher’s website! Guest Biography Bishnupriya Ghosh publishes in global media cultures, environmental media, and critical health studies. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 分
  • Filmmaker, Artist, Writer: A Conversation with Paromita Vohra

    Filmmaker, Artist, Writer: A Conversation with Paromita Vohra
    2024/07/19
    This is the Global Media & Communication podcast series. This podcast is a multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the best scholarship to bear on enduring global questions and pressing contemporary issues. In this episode, our host, Kinjal Dave, sits down with filmmaker, artist, and writer Paromita Vohra for a wide-ranging conversation about the artist’s career. As an artist, Vohra has worked across a variety of forms, including film, comics, digital media, installation art and writing to explore themes of feminism, desire, sexuality and popular culture. In this interview, she reflects on the provocations and practices that have shaped her approach as an artist, as well as the pedagogical possibilities that multimodal artworks provide in the classroom. Over the next forty-five minutes, you will hear about: What inspired Paromita Vohra to pick up a camera The challenges of building and sustaining a career as an independent filmmaker Social, political, and cultural shifts in the India during the 1990s that informed Vohra’s media production How digital media technologies and the Internet shaped Vohra’s work How Unlimited Girls sought to capture a particular moment within a globalizing feminist discourse, How Vohra has rejected certain aesthetic and narrative paradigms to craft her own style and voice as an artist, straddling comedy, irony, and politically incisive commentary Vohra’s digital platform Agents of Ishq and the sense of community the project has built How to cultivate and encourage complex conversations about gender, sex, desire, and politics in the classroom Building intimacy with audiences and being vulnerable to criticism Vohra’s upcoming projects …and more! Guest Biography Paromita Vohra is an artist who works with a range of forms, including film, comics, digital media, installation art and writing to explore themes of feminism, desire, sexuality and popular culture. Her extraordinary body of truth-telling, kinetic and intensely sensuous films, online videos, art installations, television programming and writing have made sense of feminism, love, sexuality, urban life and popular culture for a diverse and loving audience for over 25 years. Host Bio Kinjal Dave is a PhD Student at the Annenberg School of Communication at the University of Pennsylvania. She researches critical perspectives on gender, technology, and labor in the South Asian diaspora at the intersection of Media and Communication Studies and Science and Technology Studies (STS) and Diaspora Studies. She is a fellow with the Center for Advanced Research in Global Communication (CARGC) and an affiliate of Data & Society Research Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    51 分
  • Lin Zhang, "The Labor of Reinvention: Entrepreneurship in the Chinese Digital Economy" (Columbia UP, 2023)

    Lin Zhang, "The Labor of Reinvention: Entrepreneurship in the Chinese Digital Economy" (Columbia UP, 2023)
    2023/07/17
    Hello, world! This is the Global Media & Communication podcast series. In this episode, our host Jing Wang discusses the book The Labor of Reinvention: Entrepreneurship in the New Chinese Digital Economy (Columbia UP, 2023) by Lin Zhang. You’ll hear about: A history of the book and Zhang’s entry into the fieldwork through family stories; How to understand entrepreneurialism as a dominant ideology in the global neoliberal labor economy and China’s positionality in the world; Why and how the book is organized based on three types of spaces – rural, urban, and transnational – across China and beyond; The similarities and differences between the elite and the grassroot entrepreneurs in Beijing; The e-commerce entrepreneurship as “platformized family production” in rural China and the roles played by government and large tech companies like Alibaba play in shaping the new rural production model; The limit and possibility of reinvention through “shanzhai” (copycat) e-commerce production; The gendered inequalities of entrepreneurial labor in rural and transnational spaces; What is “daigou” (personal shopping agents) in transnational e-commerce and the structural challenges entrepreneurs – especially women – face across national borders and digital platforms; What conversations in global studies of media and communication this book engages with. About the book From start-up founders in the Chinese equivalent of Silicon Valley to rural villages experiencing an e-commerce boom to middle-class women reselling luxury goods, the rise of internet-based entrepreneurship has affected every part of China. For many, reinventing oneself as an entrepreneur has appeared to be an appealing way to adapt to a changing economy and society. Yet in practice, digital entrepreneurship has also reinforced traditional Chinese ideas about state power, labor, gender, and identity. Lin Zhang explores how the everyday labor of entrepreneurial reinvention is remaking China amid changing geopolitical currents. She tells the stories of people from diverse class, gender, and age backgrounds across rural, urban, and transnational settings in rich detail, providing a multifaceted and ground-level view of the twenty-first-century Chinese economy. You can find more about the book here by the Columbia University Press. Author: Lin Zhang is an associate professor of communication and media studies at the University of New Hampshire. Host: Jing Wang is Senior Research Manager at the Center for Advanced Research in Global Communication (CARGC), Annenberg School for Communication at the University of Pennsylvania, with an affiliation at the Center of the Study of Contemporary China (CSCC). Editor & Producer: Jing Wang Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 時間 1 分
  • Mary Beltrán, "Latino TV: A History" (NYU Press, 2022)

    Mary Beltrán, "Latino TV: A History" (NYU Press, 2022)
    2023/06/29
    In this episode, our host Lucila Rozas discusses the book Latino TV: A History (2022) by Mary Beltrán. You’ll hear about: A brief trajectory of the book and the conversations on global studies of media and communication with which this book engages; The concept of cultural citizenship and its relevance to study Latino TV; How the author puts together the traces of the history of Latino TV, especially in the cases when it was difficult to find information about the series that were not preserved/archived; What has changed in the 2000s-2010s that led to the inclusion of more Latinx people in TV roles in front and behind the camera; How the diversification of latinidad identities in the TV shows is related to race, class, and gender through specific characters or forms of storytelling; The importance of Latino(a)(x) representation in the US TV industry and the potential limits of representation and visibility; The role of Latinx activism in the 1960s and 70s and the legacy of public television on today’s media landscape; Some recent developments on Latino TV after the publication of the book, particularly given the ongoing writers’ strike in streaming television. About the book The first-ever account of Latino/a participation and representation in US English-language television, Latino TV: A History offers a sweeping study of key moments of Chicano/a and Latino/a representation and authorship since the 1950s. Drawing on archival research, interviews with dozens of media professionals who worked on or performed in these series, textual analysis of episodes and promotional materials, and analysis of news media coverage, Mary Beltrán examines Latina/o representation in everything from children’s television Westerns of the 1950s, Chicana/o and Puerto Rican activist-led public affairs series of the 1970s, and sitcoms that spanned half a century, to Latina and Latino-led series in the 2000s and 2010s on broadcast, cable, and streaming outlets, including George Lopez, Ugly Betty, One Day at a Time, and Vida. You can find more about the book here by NYU Press. Author: Mary Beltrán is the Associate Director and former Founding Director of the Moody College of Communication’s Latino Media Arts & Studies Program at the University of Texas at Austin. She specializes in critical studies-driven scholarship at the intersections of film and television studies, Latina/Latino and critical race studies, and gender studies. Informed by her prior careers as a journalist and social worker, Dr. Beltrán writes and teaches on ethnic diversity and the U.S. media industries, U.S. television and film history, mixed race and media culture, and feminist media studies, with emphasis on U.S. Latina and Latino representation and media production. Host: Lucila Rozas is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. She is also a doctoral fellow at Center for Advanced Research in Global Communication. She has developed interdisciplinary research in a wide variety of topics, from the strategies of LGBT+ activists to push for the approval of sexual orientation and gender identity policies to the representations of mental health in Peruvian print media. Her most recent academic work focuses on social media and the role it has in identity construction, discourse, activism, and social change. Editor & Producer: Jing Wang Keywords: Latino TV, Latinx identity, Cultural citizenship, Public Television, TV industry, Activism Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    48 分
  • Thomas Chen, "Made in Censorship: The Tiananmen Movement in Chinese Literature and Film" (Columbia UP, 2022)

    Thomas Chen, "Made in Censorship: The Tiananmen Movement in Chinese Literature and Film" (Columbia UP, 2022)
    2023/05/22
    Hello, world! This is the Global Media & Communication podcast series. In this episode, our host Ignatius Suglo discusses the book Made in Censorship: The Tiananmen Movement in Chinese Literature and Film (Columbia University Press, 2022) by Thomas Chen. You’ll hear about: Author’s intellectual and professional trajectory that led him to the book; How to study Tiananmen Movement as a media event through a careful selection of literature and film materials; How to think of the productivity of silence and absence; The use of “positive energy” in mobilizing censorship; Human labor and the idea of “workshop” in the work of censorship; How iconic images such as “Tank Man” have been interpreted and appropriated; The role played by women in social movements and their representations in post-1989 China; The emergence of Internet in the 1990s and the paradoxical nature of “Internet sovereignty”; Author’s positionality and reflection on writing the book. About the book The violent suppression of the 1989 Tiananmen Square demonstrations is thought to be contemporary China’s most taboo subject. Yet despite sweeping censorship, Chinese culture continues to engage with the history, meaning, and memory of the Tiananmen movement. Made in Censorship examines the surprisingly rich corpus of Tiananmen literature and film produced in mainland China since 1989, both officially sanctioned and unauthorized, contending that censorship does not simply forbid—it also shapes what is created. You can find more about the book here by Columbia University Press. Author: Thomas Chen graduated with a B.A. in Comparative Literature and English from Cornell University and a Ph.D. in Comparative Literature from UCLA. With a focus on modern Chinese literature and cinema, his research interests include world literature/cinema, translation studies, and historiography. His book Made in Censorship: The Tiananmen Movement in Chinese Literature and Film is available from Columbia University Press. Host: Ignatius Suglo is Postdoctoral Fellow, Center for Advanced Research in Global Communication. He completed his Ph.D. in China Studies at the University of Hong Kong. He also has a secondary specialization in African Studies. His research interests Learn more about your ad choices. Visit megaphone.fm/adchoices
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    59 分
  • Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)

    Jonathan Gray, "Dislike-Minded: Media, Audiences, and the Dynamics of Taste" (NYU Press, 2021)
    2023/04/20
    In this episode, our host Sim Gill discusses the book Dislike-Minded: Media, Audiences, and the Dynamics of Taste (2021) by Jonathan Gray. You’ll hear about: A brief history of the book and its connection to global studies of media and communication; The role of media and cultural studies in amplifying the voices of dislikers, and how can scholars in these fields better understand and appreciate the register of dislike; The method of refractive audience analysis as a way to understand how adaptations of media texts affect people's perceptions of the original texts; How paratexts can shape audience perceptions and understanding of a media product; How the gendered norms may hinder women from expressing dislike, and how this relates to larger cultural systems of dislike, including political contexts; Some recent developments that have added to or changed the initial arguments/findings in the book. About the book Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media’s failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu’s famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. You can find the book here by NYU Press. Author: Jonathan Gray is Professor of Media and Cultural Studies in the Department of Communication Arts at the University of Wisconsin-Madison. His work examines how media entertainment and its audiences interact, and examines how and where value and meaning are created. He is now Chief Editor of The International Journal of Cultural Studies, co-editor, with Aswin Punathambekar and Adrienne Shaw, of NYU Press’ Critical Cultural Communication book series, and I was recently nominated as an International Communication Association Fellow. Host: Sim Gill is a doctoral student at the Annenberg School for Communication at the University of Pennsylvania. Her research interests concern the social and subjective effects of discourse and institutional politics as well as the interrelationships between discourse, epistemology, and subjectivity. Her master's thesis evaluated the meaning-making behind the term BAME (Black, Asian and Minority Ethnic), commonly used to describe minority ethnic communities in Britain. Editor & Producer: Jing Wang Keywords: Dislike, audience studies, media cultures, identity, representation, citizenship Our podcast is part of the multimodal project powered by the Center for Advanced Research in Global Communication (CARGC) at the Annenberg School for Communication at the University of Pennsylvania. At CARGC, we produce and promote critical, interdisciplinary, and multimodal research on global media and communication. We aim to bridge academic scholarship and public life, bringing the very best scholarship to bear on enduring global questions and pressing contemporary issues. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    53 分