A wrap up of Cannes 2025, grafting together two separate conversations. Blake Williams is first joined by critics Flavia Dima and Pedro Emilio Segura Bernal to discuss Nadav Lapid's Yes in some depth. A second recording session featuring critics Beatrice Loayza, Abby Sun, Elena Lazic, and Vadim Rizov rounds out our discussion of the following films:

- Kelly Reichardt's The Mastermind
- Jean-Pierre & Luc Dardenne's Young Mothers
- Bi Gan's Resurrection

Critics Blake Williams, Mark Peranson, Flavia Dima, Daniel Kasman, Öykü Sofuoglu, and Pedro Emilio Segura Bernal discuss highlights from the midpoint of Cannes 2025, including:

- Wes Anderson's The Phoenician Scheme
- Kleber Mendonça Filho's The Secret Agent
- Jafar Panahi's It Was Just an Accident
- Lav Diaz's Magellan
- Spike Lee's Highest 2 Lowest
- Julia Ducournau's Alpha
- Hlynur Pálmason's The Love That Remains

Critics Blake Williams, Mark Peranson, Flavia Dima, Daniel Kasman, Öykü Sofuoglu, Vadim Rizov, and Pedro Emilio Segura Bernal discuss films from the first weekend of Cannes 2025, including:

- Oliver Laxe's Sirât
- Richard Linklater's New Wave (Nouvelle Vague)
- Lynne Ramsay's Die My Love
- Christian Petzold's Mirrors No. 3
- Ari Aster's Eddington.

Critics Blake Williams, Daniel Kasman, Jordan Cronk, Vadim Rizov, Pedro Emilio Segura Bernal, and Elena Lazic discuss films from the first two days of Cannes 2025, including:

- Christopher McQuarrie's Mission: Impossible – The Final Reckoning
- Sergei Loznitsa's Two Prosecutors
- Mascha Schilinski's Sound of Falling
- Robin Campillo & Laurent Cantet's Enzo.