• Inception and Ibn 'Arabi

  • 2024/09/16
  • 再生時間: 9 分
  • ポッドキャスト

Inception and Ibn 'Arabi

  • サマリー

  • This episode is a brief review of the the following article:Ogunnaike, Oludamini (2013) "Inception and Ibn 'Arabi," Journal of Religion & Film: Vol. 17 : Iss. 2 , Article 10 Available at: https://digitalcommons.unomaha.edu/jrf/vol17/iss2/10

    We explore the connections between Christopher Nolan's film "Inception" and the philosophical ideas of 13th-century Sufi mystic Ibn 'Arabi. The author argues that both "Inception" and Ibn 'Arabi's writings explore the theme of life as a dream and delve into the nature of reality, imagination, and the role of interpretation in understanding our experience. Through examining the movie's plot, characters, and symbolism, the author seeks to illustrate key concepts in Ibn 'Arabi's thought such as the imaginal world (khayāl), the veil (hijāb), the hierarchy of reality, and the relationship between reason and imagination. The article also analyzes the film's use of music, time, and death to underscore the transformative potential of experiencing our reality as a dream. Ultimately, the article presents "Inception" and Ibn 'Arabi's works as reflections of each other, offering a unique perspective on the nature of reality and human existence.

    The voices and the dialouge are AI generated.

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あらすじ・解説

This episode is a brief review of the the following article:Ogunnaike, Oludamini (2013) "Inception and Ibn 'Arabi," Journal of Religion & Film: Vol. 17 : Iss. 2 , Article 10 Available at: https://digitalcommons.unomaha.edu/jrf/vol17/iss2/10

We explore the connections between Christopher Nolan's film "Inception" and the philosophical ideas of 13th-century Sufi mystic Ibn 'Arabi. The author argues that both "Inception" and Ibn 'Arabi's writings explore the theme of life as a dream and delve into the nature of reality, imagination, and the role of interpretation in understanding our experience. Through examining the movie's plot, characters, and symbolism, the author seeks to illustrate key concepts in Ibn 'Arabi's thought such as the imaginal world (khayāl), the veil (hijāb), the hierarchy of reality, and the relationship between reason and imagination. The article also analyzes the film's use of music, time, and death to underscore the transformative potential of experiencing our reality as a dream. Ultimately, the article presents "Inception" and Ibn 'Arabi's works as reflections of each other, offering a unique perspective on the nature of reality and human existence.

The voices and the dialouge are AI generated.

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