This episode of Into the Noise I talk to Tom Painter about the relationships between maths and music, the different cities Tom has lived in, using music to evoke abstract spaces, whether the expectations of audiences really matter, and Tom’s use of the sonic fragments left behind after the death of a loved one to explore memory and personal history.

Links to Tom's music heard in the episode:

https://afterseasonrecording.bandcamp.com/album/possibility-foam

https://afterseasonrecording.bandcamp.com/album/twenty-gramme-bird

https://afterseasonrecording.bandcamp.com/album/everywhere-curving

Tom's radio shows on Noods radio can be heard here:

https://noodsradio.com/residents/after-season-radio

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This episode of Into the Noise I'm talking to Jack Walker. We talk about Jack’s preferences for AI, structure, and improvisation; his background in Sheffield; how he balances work, life, and music making; and the good and bad aspects of being embedded within a university music department amongst other things.

Jack's PhD thesis:

https://era.ed.ac.uk/bitstream/handle/1842/39693/Walker2022.pdf?sequence=3&isAllowed=y

More of Jack's music:

https://plusminusensemble.com/education/edinburgh-2020/

More of Jack's writing:

https://aimc2021.iem.at/wp-content/uploads/2021/07/AIMC_2021_Walker.pdf

https://2022.aimusiccreativity.org/assets/program/aimc2022_m1.pdf

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In this episode of Into the Noise Jim talks to the multimedia artist Ioannis Panagiotou about war, family and memory; the role piano strings have played in the Greek civil war; Ioannis’ relationship with Greece and his emigration to other countries; and his interest in borders and coastlines.

You can find the works Ioannis has contributed to this episode via the links below

https://www.ioannispanagiotou.com/umwelt

https://www.ioannispanagiotou.com/works

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In this episode of Into the Noise Jim talks to the composer Tom Mudd about agency in regards to information and the internet, exploring digital music making processes, musical forms and structures, evoking and failing to evoke sounds and cultures using synthesis, and the musical benefits of performing with amateur youth ensembles.

You can find the music Tom has contributed to this episode via the links below

https://tommudd.bandcamp.com/album/gutter-synthesis

https://tommudd.bandcamp.com/album/brass-cultures

https://tommudd.bandcamp.com/album/guitar-cultures

Additionally, here is a link to Tom’s website, and his ever-changing biography…

https://tommudd.co.uk/about/

Artwork designed by Jim Reeve-Baker

Photograph by Šimon Lupták

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In this episode of Into the Noise Jim speaks to composer Jules Rawlinson about the myriad influences on his music, collaborations both across decades and in the moment of performance, multimedia installations, preferences for finding the unstable qualities of new performance technologies, and many other things.

You can find the music Jules has contributed to this episode via the links below

https://pixelmechanics.bandcamp.com/album/pulsar-retcon

https://pixelmechanics.bandcamp.com/album/interval-and-instance

https://pixelmechanics.bandcamp.com/album/yield-point

and the music of the group he performs in Raw Green Rust

https://rawgreenrust.bandcamp.com/

Produced by Jim Reeve-Baker

Artwork designed by Jim Reeve-Baker

Photograph by Laurence Winram http://www.lwinram.com/

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