• LETTERS READ INCUBATOR XI: Water & Salt

  • 2023/11/05
  • 再生時間： 12 分
  • ポッドキャスト

LETTERS READ INCUBATOR XI: Water & Salt

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  • This production was created from material collected during the creation of Drugs, Sex, Rock & Roll: A Year of Magic and Wonder. Which coincided with the project’s director/writer’s move back from New York to New Orleans. Quoting from the script, Collins’s observation was that moving home was “kind of like sleeping with an old lover.”

    Meanwhile, significant municipal water issues collided in both cities and, in the Middle East.

    Audio production is by Steve Chyzyk, ⁠⁠Sonic Canvas Studio⁠⁠.

    Want to support this compelling series, we'd love you to. Go to ⁠⁠https://lettersread.net/donate/⁠⁠.

    IMAGE: Henniker, Frederick. Notes, During a Visit to Egypt, Nubia, the Oasis, Mount Sinai, and Jerusalem. London: John Murray, 1823. Shown above is an aquatint fold-out view of Jerusalem “whose precision could let a traveler use it for wayfinding.” —https://www.drawingpalestine.com/jerusalem.htm
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あらすじ・解説

This production was created from material collected during the creation of Drugs, Sex, Rock & Roll: A Year of Magic and Wonder. Which coincided with the project’s director/writer’s move back from New York to New Orleans. Quoting from the script, Collins’s observation was that moving home was “kind of like sleeping with an old lover.”

Meanwhile, significant municipal water issues collided in both cities and, in the Middle East.

Audio production is by Steve Chyzyk, ⁠⁠Sonic Canvas Studio⁠⁠.

Want to support this compelling series, we'd love you to. Go to ⁠⁠https://lettersread.net/donate/⁠⁠.

IMAGE: Henniker, Frederick. Notes, During a Visit to Egypt, Nubia, the Oasis, Mount Sinai, and Jerusalem. London: John Murray, 1823. Shown above is an aquatint fold-out view of Jerusalem “whose precision could let a traveler use it for wayfinding.” —https://www.drawingpalestine.com/jerusalem.htm
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