Since the 1970s, Brazilian conductor Isaac Karabtchevsky has steadfastly developed one of the most brilliant careers across the Brazilian and international music scenes, The Guardian in 2009 hailing him as one of Brazil's living icons. He's heard in this podcast In conversation with Raymond Bisha, discussing the music of fellow Brazilian icon, the composer Heitor Villa-Lobos. Extracts from Karabtchevsky's recordings of Villa-Lobos' complete symphonies (8.506039) and cello concertos (8.574531) amplify the composer's attachment to his country's musical heritage and the conductor's assiduous scholarly approach to its performance.

American composer Daron Hagen talks about his cantata Everyone, Everywhere in conversation with Raymond Bisha. Composed In 2023 to mark the 75th anniversary of the Universal Declaration of Human Rights, Hagen found impetus in the contemporary political status of his own nation to recontextualise the declaration's dry language and enable him to convey its emotional essence (“as a citizen, a person and a father”). Also drawing on texts by a range of significant historical figures, this sweeping work for choir, vocal soloists and orchestra marries intellect and emotion in a passionate cry for justice and peace, and in a way that only music can.

A delightful collection of lute music from the courts of Queen Elizabeth I and King James I, played by Italian lutenist Elisa La Marca. This was a time of incredible cultural richness in England brought forth composers such as John Dowland and writers such as William Shakespeare. Because the lute was one of the favoured instruments in court during this time, many of the best composers of the time either played the lute or wrote music for it.