In the latest episode, I catch up with the Managing Editor at Letterboxd, physical media 'thirst-trapper' and all-round incredible film mind, Mitchell Beaupre, to talk about the peak for Oscar Isaac and director J.C Chandor - A MOST VIOLENT YEAR.

Mitchell Beaupre

Managing Editor at @letterboxd l also at @TheFilmStage @PasteMagazine @ThePlaylistNews @LWLies l Member: @DorianAwards

TWITTER: @itismitchell

LETTERBOXD: https://letterboxd.com/mitchell/

One Heat Minute Productions

WEBSITE: oneheatminute.com

TWITTER: @OneBlakeMinute & @OHMPods

MERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productions

In the latest episode, I catch up with educator, writer and podcast host Veronica Fitzpatrick, to talk about Alex Garland's expression of the "vicious prosthesis" Ex Machina.

is a film writer and professor based in Providence, Rhode Island. My writing has appeared in Bright Wall/Dark Room, Screen Slate, Post45, the Village Voice (rip), and elsewhere. In 2022, I contributed to BFI's Sight and Sound Greatest Films of All Time poll.

Formerly a Mellon Postdoctoral Fellow in the Cogut Institute for the Humanities, I teach in Brown's department of Modern Culture and Media. I used to teach at Cornell, Carnegie Mellon, the University of Pittsburgh, and Notre Dame.

I co-host The Bright Wall/Dark Room Podcast and co-edit/organize world picture.

“Can I Fuck This?”: Alex Garland’s Ex Machina

Thank you so much for the ongoing support!

One Heat Minute Productions

WEBSITE: oneheatminute.com

TWITTER: @OneBlakeMinute & @OHMPods

MERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productions

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what’s ripe for rediscovery. The second year being released on the main podcast feed is the films of 2014. To hear a fantastic chorus of guests and I unpack the films of 2015 in 2025, subscribe to our Patreon here for as little as $1 a month.

In the latest episode, I catch up with Edgar-Award-winning author of She Rides Shotgun and Love and Other Wounds, and Everybody Knows - Jordan Harper - about the systemic "ick" of the media landscape depicted in NIGHTCRAWLER.

Jordan is the Edgar-Award-winning author of She Rides Shotgun and Love and Other Wounds. Born and educated in Missouri, he now lives in Los Angeles, where he works as a writer and producer for television.

TWITTER: @JORDAN_HARPER

NEWSLETTER: WELCOME TO THE HAMMER PARTY

Truth may be stranger than fiction but sometimes fiction predicts the truth. Jordan Harper’s new book EVERYBODY KNOWS is a combination of both. A propulsive LA crime thriller that James Patterson dubbed “the best mystery novel I’ve read in years,” is the story of Mae Pruett a "black-bag publicist" - she doesn't get the good news out, she keeps the bad news in – who works for “The Beast,” her name for the loose collection of lawyers, publicists and private security firms who protect and serve the wealthy and depraved of Los Angeles.

Chris Tamburro is Mae’s ex, a former cop fired for corruption and a fist on the Beast’s arm, working as muscle for a shady lawyer. They must both confront the bad things they aid and abet when Mae’s boss is gunned down in front of the Beverly Hills Hotel, dying with a secret Mae is determined to learn. Unraveling the mystery of her boss’s death takes them through an electric, pulpy vision of Los Angeles, a world of homeless camp bombers, drug-addled celebrities, cop gangs who mark their kills with tattoos, a livestreamed murder, and powerful men with a secret so dark they will kill to keep it.

Much of the novel is based Jordan’s experiences and those of his friends and co-workers in the film and TV industry, and the whisper network of Los Angeles, “Nobody Talks but Everybody Whispers.” To be authentic Jordan wrote the opening scene about Mae having to visit a client at The Chateau Marmot, at the Chateau Marmot. Every celebrity sighting in the book is based on a real sighting he had had in the actual place he had it. Jordan also interviewed a crisis manager who represented one of the biggest villains of the MeToo era and sat down with a Hollywood actress to talk about the pressures of her life. There are literally dozens of scandals and real-life crimes that are fictionalized in the novel, from the publicist gunned down on Sunset Blvd. to the firebombing of homeless camps and many, many more.