Two unlikely kindred souls find purpose and companionship as they wander through the cross-continental 1970s in search of a sense of… just a little stability. Wim Wenders sets the tone for his career as a quiet student of humanity with a big ol heart.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Yasuhiro Ozu's The Flavor of Green Tea Over Rice (1952).

Is this the one where Keanu takes a bunch of future drugs? I mean that DOES sound kind of like a Cronenberg movie…. No wait! It’s the head exploding one. Except that maybe, just maybe, this early 80s psychic thriller offers a whole lot more than just exploding heads. But don’t worry: if you really like exploding heads, this film still has you covered.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing Wim Wenders Alice in the Cities (1974).

Soviet cinema at its most… spiritual? Iconoclast director Sergei Parajanov’s deeply personal exploration of the cultural echoes found in the life of 18th-century Armenian troubadour/monk Sayat-Nova uses manuscript-inspired tableaux vivants, exquisite staging, and a profoundly rich symbolic vocabulary to sneak this one past the censors. Sort of.

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If you’d like to watch ahead for next week’s film, we will be discussing and reviewing David Cronenberg’s Scanners (1981).